Bruna Cealti

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Bruna Cealti

Movies

Con... fusione
la suocera
Armonica a bocca
The story of a turbulent relationship between Elisa, a mentally unstable young woman, and her psychiatrist who, meets her after she's hospitalized when she faints in a subway station. He advises her to stay in the hospital, but she wants to feel free.
I'm Photogenic
Luigina Barozzi
Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.
Swept Away by Family Affection
This is an Italian sex comedy that, like the earlier sex comedy "Il Gatto Mammone", combines the comic stylings of Lando Buzzanca ("The Eroticist", "Il Domestico") with gorgeous, oft-nude body of Gloria Guida (Miss Teen Italy of 1974). Actually, Guida gets to demonstrate a few comic styling of her own as a bohemian theater "actress" who lives in cramped apartment with a whole bunch of other clothing-averse bohemian types. She is very devoted to her older beau Buzzanca, but his life is very complicated due to his own devotion to his very big and very old dog, the ironically named "Piccolo" (basically "Tiny"), and his even older grandmother. In order to take care of these two dependents, he forsakes his loyal girlfriend for a rich female pharmacist (Andrea Ferriola) and moves in with her and her haughty bourgeois mother and aunts--with disastrous results for all involved.
Amore e ginnastica
Un'insegnante
La colonna infame
Historical drama, based upon the novel by Alessandro Manzoni.
Shadows Unseen
When a journalist is murdered Inspector Micheli begins to investigate. Although someone comes forward to confess to the crime, Micheli doesn't believe he acted alone and keeps investigating despite coming under pressure to close the case.
The Seven Cervi Brothers
The story of the Cervi family. Rural farmers brought up to be idealogically opposed to fascism during the era of Mussolini's rule of Italy and World War 2.
The Prophet
In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.
Two Women
une évacuée
Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.
Lipstick
A prostitute is robbed and murdered. A fourteen-year-old girl (Laura Vivaldi) sees a suave gigolo come out of the hotel where the murder occurred. She has a schoolgirl crush on the handsome man though, so instead of reporting the crime she befriends him.
Messalina
Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.
La Dolce Vita
(uncredited)
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Holiday Island
Intersecting lives on an island holiday: A lawyer anxious he caused a youth's death.An engineer suspecting his wife after being teased by pranksters.A young man falling for a nurse.A Frenchman seeing his wife wooed by a local.
The Awakening
Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.