Jesper W. Nielsen

When four female colleagues receive an email death threat each, they are convinced the sender is a war criminal, whom they have exposed. But what if the threats come from within their own office at the Danish Center for Information on Genocide?

Set in the blooming 1960s, the film centres on two young brothers who are instantly robbed of their lives when they are placed in a boy's home forgotten by time. Armed only with a vivid imagination and a fickle hope, the boys engage in the frightening battle against Headmaster Heck and his lethal tyranny. The film is based on actual events.

A moving, magic and playful story about a young girl who, at the end of her life, learns to accept death and understands how wonderful life really is. The script is based on the novel by Jostein Gaarder.

A moving, magic and playful story about a young girl who, at the end of her life, learns to accept death and understands how wonderful life really is. The script is based on the novel by Jostein Gaarder.

Sanna has broken up with her boyfriend Jon. Because her father is in the hospital, she moved into her father's apartment. In his dresser drawer, she finds clipped obituaries of his colleagues, who all seem to have died prematurely. Sanna crosses one border after another, approaching a total collapse of her obsession with truth. In the end, she takes the law into her own hands.

BIG PLANS follows the petty and irresponsible crook Willy, who has a massive fondness for music. Though he's 38 years of age he will not give up his lifelong dream of becoming a famous musician. When he gets paroled he therefore decides to revive his old band to prove to his eight-year-old son, Mikkel, that he isn't the failure everyone thinks he is.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

Nete is a tough woman of 37 who runs her job, husband, and teenage daughter with a firm and efficient hand. Her father suddenly becomes ill. Seriously ill. Nete forces a doctor to tell her how much time he has left. 3 weeks, hardly any longer. Nete's father becomes bitter and introvert, but Nete insists that he come to live with her and her family the few weeks he has left. "You should die with your family." Nete's father moves in and puts even more strain on Nete's family and everyday life. They all try to cope with the situation - he has only three weeks left, and you don't argue with a dying man. Three weeks pass by. A month. Nete's father does not die, his appetite comes back, the doctors begin to have doubts as to the prognosis, and Nete has a problem.

The second film of the trilogy, "It is forbidden for children". The family is pushed into depression and the heavy drinking mother Skrubsak does not help.

Ida and her family are recovering from the divorce. She is looking forward to the upcoming dance contest. She is also growing up and developing romantic urges of her own. But she doesn't have good memories of romance. The third of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen.

Vikingesønnen Harald bliver ladt alene tilbage i sin landsby med kvinder og børn, da hans høvdingefar slutter sig til en gruppe oprørere i protest mod, at kongen forlanger at få hans skib. Men kongen tager hævn ved at lade en gruppe krigere besætte og tyrannisere byen.

7-year old Ida has to take care of her kid brother Skrubsak, feed the family and keep the child welfare officers at stake. Ida's father has left the family for another woman, and so far Mum has found consolation in the bottle. The second of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen.

The two medicated low-lifes Carsten and Peter are long time partners, an old flame of Peter's turns up to tell him that he has a twelve year old daughter, whom he should present himself to. Her adoptive father is a mean bastard, and incestive undertones lies in the relationship between the two. The daughter escapes from her adoptive father, turns up at Peter's place, and Carsten, Peter, and the daughter escapes to Sweden.

The first of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen. Ida and her little brother are visiting their strict grandmother who threatens them with the bogey man if they are not kind. When Ida's little brother gets a toy dog from her grandmother, Ida becomes jealous and lures the brother to show the dog for the bogey man.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

Family drama set in the Danish countryside in the turn of the century. A wealthy landowner is an evil and corrupt womaniser with several illegitimate offspring in addition to his beautiful family. Nobody stands up to him except his feisty 17-year-old daughter.

Tom Elling, cinematographer for Lars von Trier's The Element Of Crime (and his earlier student works, Nocturne, The Last Detail and Befrielsesbilleder) made his debut as a feature-film director with Perfect World, a collaboration with poet Peter Laugesen. Described by Elling as a "visual poem", and by Laugesen as "a collage of dreams - of bubbles or planets in the ocean or universe", the film is very much in the same visually expressive style of The Element Of Crime (indeed, the extent of Elling's contribution to the look of Trier's early works is self-evident). One of the most intoxicatingly beautiful films I've ever seen - the luminous monochromatic cinematography, hallucinatory lighting and liquid editing make this a truly astonishing experience unlike anything else.

Benjamin act as a moral guardian as he saves both a female thief and a child during Christmas in a futuristic Denmark.