Elisabetta Montaldo

Movies

Vera & Giuliano
Ti amo troppo per dirtelo
Costume Design
The Haunting of Helena
Costume Design
After a divorce, Sophia moves to the south of Italy with her daughter, Helena. Their new home, an apartment within an austere building of the fascist age, is a chance for them to start a new life. But inside an old storage room hides a mysterious closet and a buried secret. After the loss of Helena’s first baby tooth, a chilling obsession begins and an apparition haunts her sleep...
Mothers
Costume Design
Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who have not spoken to each other in 16 years. Retired cleaning women are found raped and strangled in a small town. The fiction slowly turns into a documentary.
The Best of Youth
Costume Design
Spanning nearly four decades, this generational epic follows two Italian brothers from a middle-class family through some of the most significant events of postwar Italian history after their life paths diverge thanks to one fateful encounter during the summer of 1966.
One Hundred Steps
Costume Designer
The true story of Peppino Impastato, an activist who openly opposed the Mafia in small-town 1970s Sicily despite living just "one hundred steps" away from notorious Mafia boss Tano Badalamenti.
Who Killed Pasolini?
Costume Design
1975: poet, intellectual, and filmmaker Pier Paolo Pasolini is bludgeoned to death and run over with his own car in the outskirts of Rome. Charged with murder, 17-year-old hustler Pino Pelosi pleads self-defense -- after all, Pasolini was a well-known pederast. However, many inconsistencies start to undermine his version of events, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also murdered for another reason?
Mario, Maria and Mario
Costume Design
Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.