Aniara (1986)

Shrek The Musical es un musical con música de Jeanine Tesori y libro y letra de David Lindsay-Abaire. Se basa en la película Shrek de 2001 de DreamWorks Animation y en el libro de 1990 de William Steig, Shrek! Fue nominado a 8 premios Tony, incluido Mejor Musical. El 19 de julio de 2013, luego del cierre de la gira nacional y las producciones del West End, Amazon.com confirmó que la actuación filmada estaría disponible para su visualización instantánea el 17 de septiembre de 2013. También se incluyó un DVD, Blu-ray y descarga digital. La presentación es una edición de varias presentaciones en vivo, así como una toma de presentación sin audiencia. Aparece el elenco principal original, así como varios ex alumnos a lo largo de la carrera de Broadway del espectáculo. Además, mantiene la canción "Donkey Pot Pie" en lugar del reemplazo, "Forever".

Rent Filmed Live in Broadway es el resultado de la grabación, con cámaras de alta definición, de la última función de Rent en Broadway. Proyectada en Septiembre de 2008 en algunos cines de Estados Unidos y Canadá, aquellos que pudieron asistir a dichas proyecciones manifestaron que la experiencia de ver "Rent" en alta definición fue tan asombrosa que daba la sensación de estar ahí mismo, en el escenario, con los artistas. Rent es un musical compuesto por Jonathan Larson, que falleció a causa de un aneurisma de aorta la víspera al estreno de su obra. Ganó 4 Premios Tony y el Premio Pulitzer. Se estrenó en Nueva York el 29 de abril de 1996 en el Nederlander Theatre, donde continúa como el septimo show con más representaciones en Broadway. Inspirado en la ópera "La Bohème" de Puccini, el musical se centra en un año en la vida de un grupo de jóvenes artistas y músicos tratando de sobrevivir en el Nueva York de principios de la década de los 90's, bajo la sombra del SIDA. (FILMAFFINITY)

Documental fruto del seguimiento durante meses del proceso de trabajo y creación del espectacular montaje musical de 'Billy Elliot', que ya ha enamorado a miles de personas desde su estreno el 5 de octubre, en el Nuevo Teatro Alcalá. Más de treinta minutos de contenido exclusivo generado por el equipo de producción propia de Atreseries en el que, a través de entrevistas a los protagonistas y al equipo creativo, se narra cómo ha logrado hacerse realidad lo que hace años era un sueño inalcanzable: adaptar `Billy Elliot, el musical¿ para su estreno en Madrid. El reportaje se ha rodado íntegramente en 4k.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

La excelencia compositiva de Andrew Lloyd Weber vuelve a deleitarnos con una nueva obra musical considerada la secuela de la célebre 'El fantasma de la ópera'. La hermosa y talentosa Christine Daaé y el misterioso enmascarado, se reencuentran.

Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

Tells the story of Elle Woods, a sorority girl who enrolls at Harvard Law School to win back her ex-boyfriend Warner, but discovers how her knowledge of the law can help others. A musical based on the novel and the film of the same name.

Producción para TV de la obra ganadora del Pulitzer. George, una versión libre del pintor Georges Seuray, se sumerge en la realización de su gran obra "Tarde de domingo en la isla de la Gran Jatte" junto a su amante Dot. Personas y personajes de la obra se confunden al atravesar su historia. Años después, el descendiente de George (un cínico artista contemporáneo) debe hacer las paces con la historia de su familia y con su abuela.

The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".

Espectáculo autobiográfico escrito por Elaine Stritch y John Lahr que está compuesto de anécdotas de la vida y las melodías de Stritch.

A collection of fairy tale characters head into the woods, and soon learn that fairy tales don't end at "happily ever after." This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with its original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season ten, episode one).

The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. In 1981, a stage production of Pippin was videotaped for Canadian television. The stage production was directed by Kathryn Doby, Bob Fosse's dance captain for the original Broadway production, and David Sheehan directed the video adaptation, with Roger O. Hirson in charge of the music. Ben Vereen returned for the role of Leading Player, while William Katt played the role of Pippin. However, this version was a truncated adaptation and several sections of the play were cut. An extended version running 135 minutes is also available.

Cole Porter's beloved classic receives "Another Op'nin, Another Show", in this masterful 1999 London revival of the Tony Award winning musical Kiss Me, Kate! When the egotistical Fred Graham mounts a musical adaptation of The Taming of The Shrew (with himself as director, producer, and star) he’s got the perfect leading lady in mind: his movie star ex-wife! The fireworks both onstage and off between the two seem destined to explode the entire production…or will a romantic flame that’s Too Darn Hot be rekindled? With backstage shenanigans, gangsters brushing up their Shakespeare, and a collection of Porter tunes that any Tom, Dick, or Harry will love, Kiss Me, Kate remains an all-time favorite of musical fans from Padua to Peoria.

Smokey Joe's Cafe, Broadway's longest-running musical revue, highlights the best songs by the legendary song-writing duo, Leiber and Stoller. Included numbers are "Neighborhood", "Fools Fall In Love", "Yakety Yak", "Charlie Brown", "Jailhouse Rock", "Hound Dog", "Love Potion #9" and "Stand By Me".

Catharine Holly, a poor relation of a prominent New Orleans family, seems to be insane after her cousin Sebastian dies under mysterious circumstances on a trip to Europe. Sebastian's mother, Violet Venable, trying to cloud the truth about her son's homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian's demise. Under the influence of a truth serum, Catharine tells the gruesome story of Sebastian's death by cannibalism at the hands of locals whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother).

Based on Davis' 1961 play Purlie Victorious (which was later translated into the 1963 film Gone Are the Days! and which included all of the original Broadway cast, including Ruby Dee, Alan Alda, Beah Richards, and Godfrey Cambridge), Purlie is a musical with a book by Ossie Davis, Philip Rose, and Peter Udell, lyrics by Udell, and music by Gary Geld. It won two Tony Awards and was also nominated for Best Musical. This 1981 television adaptation is directed by Rudi Goldman and stars Broadway cast members Guillaume, Moore, Hemsley, and Hopkins, with Brandon Maggart as Cotchipee, Clarice Taylor as Idilla, and Don Scardino as Charlie. The production won a CableACE Award.

This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.

Forever Plaid is an affectionate musical homage to the close-harmony 'guy groups' that reached the height of their popularity during the 1950s. This quartet of high-school chums, and their earnest dreams of recording an album, ended (symbolically, and even literally) in death, when their cherry red '54 Mercury collided with a bus filled with Catholic schoolgirls on their way to see the Beatles' American debut on The Ed Sullivan Show. The girls were fine. The play begins with the wondrous and wondering Plaids returning from the afterlife for one final chance at musical glory.

The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."

Tricicle aúna en un único espectáculo teatral sus mejores gags, creados a lo largo de sus tres primeros años de vida: «Ecs!», «Suicidi», «Gags», «L'illa» y «Jango». (Primera representación en la Sala Villarroel de Barcelona, el 27 de abril de 1982).