Analog Exposure (2022)
Mass Media is Over.
Género : Terror
Tiempo de ejecución : 1M
Director : Thomas Webb
Sinopsis
A visual piece about the world of mass media.
Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.
Something is about to change drastically, and the only thing to do is to witness it.
An experimental look at love, sex, and aggression
Una mirada muy personal a la historia del cine dirigida, escrita y editada por Jean-Luc Godard en su residencia suiza de Rolle durante diez años (1988-98); un collage monumental, construido a partir de fragmentos de películas, textos y citas, fotos y pinturas, música y sonidos, y diferentes lecturas; una visión crítica, bella y melancólica del arte del cine.
Julio de 1941. Después del comienzo de la invasión alemana, un soldado italiano, veterano de las guerras coloniales, es enviado al frente soviético. Mientras recuerda los cuentos de hadas que su madre rusa solía contarle, el tren en el que viaja cruza Europa camino de las vastas llanuras ucranianas, donde le esperan el enemigo y un invierno cruel… (Film basado en las vivencias de varios soldados italianos).
This film has no story - one could be born at any moment. His characters are the composition of the composition that, in the time they live in, is the composition of the time in which they live. The situations are exemplary, they come from the reality of dreams, a movement takes on several dimensions, gives the impression of simultaneity, the passage of time is not perceived.
Human, Tears, Art
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.
A visual piece about the world of mass media.
Una mirada muy personal a la historia del cine dirigida, escrita y editada por Jean-Luc Godard en su residencia suiza de Rolle durante diez años (1988-98); un collage monumental, construido a partir de fragmentos de películas, textos y citas, fotos y pinturas, música y sonidos, y diferentes lecturas; una visión crítica, bella y melancólica del arte del cine.
On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.
Caucho is an experimental drama which tells the story of three artists: а theater director (Arsen Grigoryan),an actress (Lucie Abdalyan) and an actor (Manvel Khachatryan) who are engaged in staging the play "The Ping-Pong Players" by William Saroyan. They decide to speak only using the dialogues from the performance before the first night of the play. The game will be over if any of them breaks the rules.
Memories cascade and fade as Bonny remembers the one she loved and the life they lived on the run...
Una joven, que ha heredado la enorme casa de sus abuelos, un fascinante lugar repleto de sorprendentes objetos, se siente abrumada por el peso de los recuerdos y de sus nuevas responsabilidades. Afortunadamente, los antiguos moradores de la casa no tardarán en acudir en su ayuda. (Un relato de la vida y obra de Fernando Fernán Gómez [1921-2007] y de su esposa Emma Cohen [1946-2016], dos singulares artistas y figuras fundamentales de la cultura española contemporánea).
An audio-visual, experimental short film, which consists of nightmarish and occult imagery.
Una mirada muy personal a la historia del cine dirigida, escrita y editada por Jean-Luc Godard en su residencia suiza de Rolle durante diez años (1988-98); un collage monumental, construido a partir de fragmentos de películas, textos y citas, fotos y pinturas, música y sonidos, y diferentes lecturas; una visión crítica, bella y melancólica del arte del cine.