Angels and Cherubs (1972)

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.

El Dr. Caronte y su grupo de científicos locos construyen una bomba de neutrones con la que intentan chantajear al mundo libre para obtener el poder global. Pero aparece el héroe, Neutrón, que, con ayuda del Dr. Thomas y la reportera Nora, echan a perder tales planes.

Set in early-1960s Tel Aviv, this coming-of-age story centers on 10-year-old Hilik and his struggle to help heal the emotional wounds of his father, who hasn't recovered from losing his elder son at Auschwitz. Still in denial, Moishe believes his son escaped and is now President Kennedy's aide. To help his father move on and gain the father-son relationship he sorely needs, Hilik puts Moishe's love to the test.

Coring, a gay beautician, is left with a baby by his former ward, Dennis. The baby grows up thinking that Coring is his real father. Everything seems to be smooth until the kid's mother suddenly shows up to claim her son.

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

Two blind children have bonded deeply in their special-ed classroom. The sight of one of them is restored with an operation.

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.

Mexico City is experiencing a series of child killings and through the friendship of a classmate, Lalo learns that his friend may have something that may solve these crimes, as long as the killer doesn't get to them first.

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.

On September 1, 2004, a group of heavily armed rebel extremists stormed into School No. 1 in Beslan, Russia. For three days, more than a thousand children and adults were held hostage in a sweltering gymnasium, denied food and water, and forced to keep their hands over their heads. The harrowing siege ended on September 3 with a series of explosions and a hail of gunfire that killed some 350 people - half of them children. In this film, the youngest survivors of Beslan tell their story.

Twelve-year-old Mexican-American Marcos (Jose Alcala) recalls the hardships of the previous year, reflecting on the arduous trek his migrant-worker family made from Texas to the Midwest during harvest season. Along the way, Marcos learns plenty about the harsh realities of bigotry and the power of family in America of the 1950s. The coming-of-age Chicano drama is based on Tomas Rivera's semiautobiographical 1971 novella.

Tras la muerte de su madre en un accidente, Andrés (8) debe ir a vivir a la casa de su abuela Olga y su padre Raúl. En el barrio donde vive funciona un centro clandestino de detención. Es un secreto a voces con el que todos conviven. Un año de cambios y transformaciones. Un año en el que Andrés y Olga descubrirán el poder que tienen uno sobre el otro, y las consecuencias del mismo.

An avant-garde theater troupe works through a series of unrelated episodes on en empty sound stage.

A woman returns to the Philippines after working abroad to find that her family has fallen apart in her absence.

Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”

A youthful Shaolin initiate inadvertenly separated from the rest of gang joins forces with dashing adventurer (Biao) on a request to protect a priceless artifact from his greedy brother.

A young teen's father dies, and he is sent to an orphanage. He's teased because he stutters almost runs away, until a beautiful, androgynous boy, Yasuo (Sora Toma), convinces him to join the choir.

Documentary about an extraordinary lady, Diana Serra Cary (born Peggy-Jean Montgomery). In the early 1920s she was one of Hollywood's first major child stars, Baby Peggy.

Toby es un niño incomprendido que tiene a un pato como confidente y que desea ser famoso como Jesucristo. Él, su hermana y un amigo camboyano suelen hacer viajes de exploración en bicicleta. En una de esas excursiones conocen al "Emperador del Perú". un cuentacuentos paralítico y extravagante que vive en un mundo de fantasía.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.