La mort de l'ego (2022)

Siete chicas de instituto ven sus vacaciones chafadas cuando su profesor (Kiyohiko Ozaki) tiene que cancelar el viaje que tenía planeado realizar con ellas. Las cosas marchan incluso algo peor para Oshare (Kimiko Ikegami), una de las chicas, ya que recientemente su padre le ha presentado su nueva madastra (Haruko Wanibuchi), lo que no le ha hecho demasiada gracia. Mirando un álbum de fotos, Oshare se encuentra con la foto de boda de su madre a quien se la ve acompañada de su hermana (Yoko Minamida) quien nunca llegó a casarse ya que su prometido murió en la guerra. Oshare se pone en contacto con su tía y ésta la invita a ella y a sus amigas a pasar las vacaciones en su mansión en el campo. Cuando el grupo de chicas se presentan en la mansión, allí las recibe la tía de Oshare en sillas de ruedas y medio ciega. Muy pronto las chicas descubren que la mansión tiene vida propia.

An Anonymous person behind a camera films as he stays in a strange park, capturing strange things on video.

When he understood it was all a dream. He decided to stay until eternity, darker since you died.

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

Something is about to change drastically, and the only thing to do is to witness it.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Una mirada muy personal a la historia del cine dirigida, escrita y editada por Jean-Luc Godard en su residencia suiza de Rolle durante diez años (1988-98); un collage monumental, construido a partir de fragmentos de películas, textos y citas, fotos y pinturas, música y sonidos, y diferentes lecturas; una visión crítica, bella y melancólica del arte del cine.

Julio de 1941. Después del comienzo de la invasión alemana, un soldado italiano, veterano de las guerras coloniales, es enviado al frente soviético. Mientras recuerda los cuentos de hadas que su madre rusa solía contarle, el tren en el que viaja cruza Europa camino de las vastas llanuras ucranianas, donde le esperan el enemigo y un invierno cruel… (Film basado en las vivencias de varios soldados italianos).

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

The host of a children's television show aimed for creativity starts experiencing burnout after needing to force that creativity every day.

The work and the landscape surrounding the cultivation of potatoes, in a film revealed with artisanal production chemicals, parallel to agricultural work.

Una mirada muy personal a la historia del cine dirigida, escrita y editada por Jean-Luc Godard en su residencia suiza de Rolle durante diez años (1988-98); un collage monumental, construido a partir de fragmentos de películas, textos y citas, fotos y pinturas, música y sonidos, y diferentes lecturas; una visión crítica, bella y melancólica del arte del cine.

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 22 Sep 2016 while he had started executive part from 6 months before it.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

An audio-visual, experimental short film, which consists of nightmarish and occult imagery.

Una joven, que ha heredado la enorme casa de sus abuelos, un fascinante lugar repleto de sorprendentes objetos, se siente abrumada por el peso de los recuerdos y de sus nuevas responsabilidades. Afortunadamente, los antiguos moradores de la casa no tardarán en acudir en su ayuda. (Un relato de la vida y obra de Fernando Fernán Gómez [1921-2007] y de su esposa Emma Cohen [1946-2016], dos singulares artistas y figuras fundamentales de la cultura española contemporánea).

A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".