Etnografia não é método (2021)

Blu es un guacamayo que ha crecido en un pequeño pueblo de Minnesota en EEUU, un buen día se entera que es el último espécimen macho de su especie. Es entonces cuando Blu y su dueña, compañera y protectora Linda, deciden tomar rumbo a Rio de Janeiro para conocer a Tulio, un excéntrico experto en pájaros, y a Perla, quien es la última hembra de su especie. Juntos se embarcan en una serie de aventuras para sobrevivir junto a otros amigos que conocen a medida que se desarrolla la historia

Inspirada en hechos reales del Batallón de Operaciones Policiales Especiales (BOPE). En 1997, el capitán Nascimento tiene que encontrara su sucesor, entre tanto continúa intentando limpiar las calles de Río de narcos y criminales antes de la llegada del Papa.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

Una profunda investigación, a modo de ensayo poético, sobre uno de los principales movimientos cinematográficos latinoamericanos, analizado a través del pensamiento de sus principales autores, que inventaron, a principios de los años sesenta, una nueva forma de hacer cine en Brasil, con una actitud política, siempre cercana a los problemas de la gente, que combinaba arte y revolución.

In 1946, in Soror city, three different stories intersect amid macabre events. While detectives Thomas and Carlos work in the unsolved cases of the mysterious body found in a tree and Serena Caires disappearance, those three stories get together suggesting the motivations of those respective crimes.

Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

In this short film, Ivan Cardoso records Brazilian film director Rogério Sganzerla sending a message to Brazil.

A Gothic Horror retelling of "Sleeping Beauty", in which Frankenstein's hunchbacked assistant falls in love with his master's latest monstrous creation, and tries to bring it to life through a true love's kiss.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.