THE CONTROVERSIAL STATIC LAYER OF TIME
Género : Documental
Tiempo de ejecución : 15M
Director : Gabriel Silveira, Matheus Valente, Rodrigo Fernandes
Sinopsis
Trail traces.
From its inception in 1866 to it's diminished but still vocal brotherhood in the modern era, this release takes a close look at the ways in which the Klan has evolved through such events as the Civil Rights Movement and affirmative action. In addition to informative interviews with such subjects as Hooded Americanism author David Chambers and The Fiery Cross author Craig Wade, this film also seeks to get the story from the inside by offering revealing interviews with Grand Dragon Edward Foster and Imperial Wizard Jeff Bary.
Documental acerca de las teorías conspiratorias de nuestros días, que toma un interesante cariz cuando los cineastas descubren una legendaria y peligrosa sociedad secreta
The Lover’s Guide 3D is the latest in the best selling series of sex education DVDs that help to educate consenting adults in the pleasures of love making. By imparting knowledge of how the body works along with how to stimulate your partners desires by being attentive to their needs, showing you specific techniques and maintaining a clear open approach to the subject matter, the documentary manages to inform and express without the need to be graphic. By advocating safe sex within a loving relationship and an emphasis on increasing desire and sustaining sex, this educational tool should appeal to those starting out or those already in a stable relationship.
La doble vida del faquir regresa al escenario de un colegio de Sant Julià de Vilatorta donde, en el año 1937, en plena guerra civil, un cineasta en la clandestinidad y niños huérfanos disfrazados de sultanes y exploradores rodaron una exótica película de aventuras. Sus protagonistas reviven aquellos días de la infancia en los que pudieron cambiar las batas por turbantes orientales mientras la realidad imponía su propio baile de disfraces con uniformes militares y curas vestidos de paisano.
Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.
High-budget re-enactments and shooting on original locations sketch an image of the golden age of Elizabethan theater. And scholars from various fields weigh in on the nagging question of whether or not Shakespeare authored the plays for which he receives the credit.
Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.
“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times
Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities
A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.
On October 4 1967 flashing lights could be seen in the sky, and an unidentified large object made contact with the waters of Shag Harbour, Nova Scotia. After investigations from the Canadian Coast Guard, the RCMP, and the Canadian Armed Forces and reports and speculation from witnesses, journalists, and UFO enthusiasts the event would later become the most well-known UFO incident in Canada. This documentary uncovers new witness accounts, photographic evidence, various investigation reports, and historical archives to examine exactly what happened on the coast of Nova Scotia that night, and how much information surrounding the case has been intentionally hidden.
A fascinating hybrid of performance and video verité, The Continuing Story of Carel and Ferd introduces Carel and Ferd, a couple who allowed Ginsberg to produce an ongoing documentary record of the intimate moments of their relationship. Carel, a porn actress, and Ferd, a drug addict, invite the camera to participate in their wedding, their sex life, and their break-up. Produced before the landmark PBS documentary An American Family introduced television audiences to the live-in camera — and many decades before the ubiquity of reality television — this document raises questions about the relationship between subject and camera, privacy and manipulation. Originally presented as an installation, this one-hour version, which includes interviews with Carel, Ferd and Ginsberg, was distilled from thirty hours of footage recorded from 1970 to 1975. - Electronic Arts Intermix
In 1969, the Moscow International Competition of Ballet Artists played host to some of the dance world's most legendary names. Twenty-one-year-old Mikhail Baryshnikov performs "La Bayadere" and a solo from Leonid Jakobson's "Vestris," while Ludmila Semenyaka dances a scene from "Giselle" and a modern jazz piece. Judging the competition are dance notables Agnes DeMille and Alicia Alonso and composer Aram Khachaturian.
For the very first time, Australia is welcoming a trial of the Jetski Freeride World Championship. Guided by the legendary Gil Beurnier, the best freestyle riders are competing facing the amazing level of the new Australian generation.
Collectively made Algerian film.
SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.
A fascinating hybrid of performance and video verité, The Continuing Story of Carel and Ferd introduces Carel and Ferd, a couple who allowed Ginsberg to produce an ongoing documentary record of the intimate moments of their relationship. Carel, a porn actress, and Ferd, a drug addict, invite the camera to participate in their wedding, their sex life, and their break-up. Produced before the landmark PBS documentary An American Family introduced television audiences to the live-in camera — and many decades before the ubiquity of reality television — this document raises questions about the relationship between subject and camera, privacy and manipulation. Originally presented as an installation, this one-hour version, which includes interviews with Carel, Ferd and Ginsberg, was distilled from thirty hours of footage recorded from 1970 to 1975. - Electronic Arts Intermix