Who Done It? (1949)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Historia de un carnicero de carne de caballos francés que queda encargado de velar por su hija, una joven que sufre de autismo, cuyas vidas siguen una rutina monótona aparentemente infinita.

"L'Arrivée d'un train à La Ciotat" es sin duda uno de los filmes más famosos de la historia. La imagen de un tren llegando a una estación, pasando muy cerca de la cámara mientras reduce la velocidad, se convirtió rápidamente en una escena absolutamente icónica de esa curiosidad de reciente invención llamada "cinematógrafo".

Es una pequeña historia de dos personajes: un chico joven llamado Emo y Proog, dos personas que comparten un mundo surrealista o fantástico en el que están inmersos y que varía según van moldeando sus propios pensamientos. Proog, que comprende lo que está sucediendo, está fascinado por éste y sus misterios, sin embargo Emo pasa del desconocimiento a cansarse de lo que le rodea.Esto terminará enfrentándoles entre la realidad que desea Proog: una especie de mundo extraño industrial de criaturas mecánicas y Emo con una visión totalmente distinta, más viva. Finalmente, Emo "crea" a un titán para matar a Proog hasta que éste, horrorizado, le da un golpe seco y lo mata.Elephants Dream (Sueño de los Elefantes) es el primer cortometraje de la historia de animación realizada prácticamente usando sólo software libre y que además se ofrece de forma pública con licencia o condiciones basada en la filosofía del conocimiento libre.

A high-speed drive through the streets of Paris.

Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.

Entre 1795 y 1801, 306 cadaveres fueros recuperados del rio Sena A partir del proceso verbal que se establece entre los empleados de la morgue, Peter Greenaway propone el estudio de veinticinco casos significativos, utilizando efectos especiales perfectamente intercalados.

This story first takes you to Misslimeri, a little Sicilian village, and into the home of Don Ruggero, a wealthy landowner. Don Ruggero is an iron-hearted man and strongly prejudiced against the lower classes. His son, Corrado, a young fellow, loves Rosalia, a shepherdess, but Don Ruggero has always refused to allow their marriage and to recognize little Vincenzino, their child, as his grandchild. Finally to destroy all Corrado's hopes, he discharges poor Rosalia from his farm, where she had been employed for many years. Even the sight of her departure with Vincenzino in her arms does not soften him. Rosalia is the very ideal of the Sicilian beauty, and Capt. Altieri, an officer in the service of the Dominators, the Bourbons, admires her immensely, but all his approaches are strongly repulsed by her. Don Ruggero and his son have for a long time conspired to free their motherland from the hands of the Bourbons, and when they receive news of the arrival of Garibaldi.

The filmmaker Errol Morris explores the excessive eating habits of a five-time champion of the Philadelphia Wing Bowl.

Lucas interpreta a Robin Hood, que tiene la intención de ser el verdadero Mccoy de Fiar Tuck (Porky) y termina convenciendo a todos, incluido a sí mismo, de que no es así.

Primer corto en el que aparece el gato Silvestre.

Elmer se pregunta si alguna vez atrapará al conejo. La voz de Dios lo lleva a través de un flash-forward hasta el año 2000. Elmer está equipado con un fusil lanzacohetes, pero no es más inteligente. Le dispara a Bugs, quien le muestra un álbum de fotos con fotos de bebés. Vemos una secuencia de Bugs y Elmer como bebés. Anciano Bugs excava su propia tumba y engaña a Elmer para que se meta.

A.T Shank & Son have a bad day at the parlor when a falling boulder flattens their hearse. Emotional and literal pitfalls lie in wait for the odd couple as they make their way cross country with just a coffin for company. This short animated caper puts the fun back into funeral as their journey and relationship unravel on an epic scale.

A grotesque story starring a man obsessed with Antonio Machin, whose only desire was always to be black.

Two young security guards at an unusual corporation have a bad night.

T'was the night before Christmas and all through the house not a creature was stirring, not even a mouse.

Tom is chasing Jerry again. In a panic, the mouse runs into the doghouse of little Tyke, the bulldog. Right next to the sleeping Tyke sleeps Spike, his father. Tom unthinkingly snatches the puppy out of his house. When Spike wakes up and sees this, he delivers a stern warning: Stay away from my boy, or else. Jerry realizes that sticking close to the boy is the best way to repel his feline tormentor, but Tom is not about to let the mouse evade him so easily.

A barmaid, a Mexican officer and a terrible toreador form a love triangle, as they dance, skip, kiss, punch and slap to the tune of Bizet's "Carmen." Later, the barmaid cheers her lover, and the officer razzes him, during the big bullfight. The toreador and the bull are not above clowning, but never doubt they are two fearsome opponents striving toward a gruesome climax.

The lady of the house has gone out for a few hours, leaving her baby in the care of a stereotypical 1950s teenager, who immediately begins calling her friends. Tom and Jerry must call a truce to their constant chases as the baby, unsupervised, continually gets loose. When the baby escapes out the front door, Tom and Jerry chase it to a construction site, where they frantically try to keep it from harm.