Twenty Cigarettes (2011)
Género : Documental
Tiempo de ejecución : 1H 39M
Director : James Benning
Sinopsis
Celebrated for his minimal, monumental landscape studies, James Benning turns to the intimacy of the portrait in his latest film, TWENTY CIGARETTES. Referencing Warhol’s screen tests, 1930s Hollywood glamour, and the disappearing cigarette break, the film captures 20 of Benning’s friends (including filmmaker Sharon Lockhart, cultural theorist Dick Hebdige, and book editor Janet Jenkins) satiating their smoke cravings. Each shot’s length is determined by the time it takes each subject to smoke a cigarette, and over the course of the film a dynamic range of personalities emerges out of an array of physical characteristics, distinctive settings, and personal relationships to the camera. (Amy Beste and Jessica Bardsley)
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
A fragmented road trip through Britain on the peripheries. Down empty roads, off in the wilderness, a few lone stragglers.
Shooting against the staggering beauty of the Moroccan landscape, from the rugged terrain of the Atlas Mountains to the stark and surreal emptiness of the desert, with its encroaching sands and abandoned film sets, a director abandons his own film set and descends into a hallucinatory, perilous adventure of cruelty, madness and malevolence. A Paul Bowles story combined with observational footage forms a multi-layered excavation into the illusion of cinema itself.
In Men of the City, Isaacs takes a more stylised approach to the lives of workers in the City of London during the recent financial meltdown, balancing sensitive portraits of diverse individuals striving to retain their dignity and humanity in the midst of the crisis. Strong human characters are at the heart of all of Isaacs' work, and with these films he continues to create a unique vision of modern Britain.
Originally aired on Russian television, this five-part semi-documentary series tells the story of a Russian naval commander in charge of an Arctic-based ship. The film provokes a meditation on solitude and isolation, while revealing the daily duties associated with the ship. Voice-over narration by the commander, other sailors, and even a third-person voice provide the "confession" of the title.
Director Theodore Ushev uses his own blood to animate struggles with injustice in the world.
One of America’s foremost practitioners of the essay film presents a major new work inspired by the writings of Gilles Deleuze on cinema. Andersen’s The Thoughts That Once We Had is a richly layered journey through cinematic history, masterfully edited as it playfully moves across decades and genres, and suffused at every turn by the renowned filmmaker and critic’s lifelong passion for the movies.
About the Chinese drivers who transport coal from the coal fields to the buyers.
Directed by Saman Salur
A documentary tracing the career of filmmaker François Truffaut through the testimony of collaborators and admirers.
Enacting the story of a hunt with wild but precise gestures, the Polish animator Witold Giersz’s The Horse (award-winning at the Krakow Film Festival for “its exceptionally interesting animation technique”) explodes with color and brings to life the physical strokes of paint of which it is made. The film never lets you forget that what you’re seeing is simply paint being rearranged into recognizable shapes, yet the pumping musical score and expressiveness of its titular character provide a simultaneous emotional experience. The abstract backgrounds render the narrative world beautiful and strange yet entirely comprehensible, as the film depicts an epic chase from humanity’s past.
Short science fiction film, a companion piece to Kluge's Der Große Verhau and Willi Tobler und der Untergang der 6. Flotte.
About an aspiring author who wakes up from a 27-year coma as one of his country's finest authors, credited for a book he didn't write.
A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains
Animated short film.
Short propaganda film. Warsaw's post-war reconstruction as seen through the eyes of the passengers of a red bus.
The terrorist Fors arrested after an attack on a OPEC meeting. Shortly afterwards town minister's daughter gets kidnapped by two men who require Fors be released and that he will flight phase to Albania. SÄPO agent Olsson will handle the case.
"Blushing Charlie" - Truckdriver and bachelor Charlie meets homeless and seven months pregnant Pia. They both dream of finding someone to share their lives with. Charlie then faces a dilemma whether to take part in a demonstration in favor of Cuba, and in addition with his employer's truck.
A dos niños, que son músicos ambulantes, les roban accidentalmente un acordeón. Rodada en Teherán, forma parte del proyecto "Then and Now", sobre la tolerancia y la complejidad de las culturas. En palabras de Pahani, "soy un director que tiene muy en cuenta las circunstancias sociales y lo que ocurre a mi alrededor. Por ello, tal vez "The Accordion" refleja mis emociones frente a lo que sucede y expresa mi manera de ver la realidad". (FILMAFFINITY)
