Rainclouds Over Wushan (1996)

Durante la Edad Media, la pequeña Danielle, huérfana de madre, ha encontrado en los libros y en el amor de su padre el refugio ideal, pero tras trágica muerte se convierte siendo una niña en la criada de su nueva madrastra. Por si fuera poco, sus dos hermanastras son realmente crueles con ella. Pero con el tiempo Danielle crece y se convierte en una damisela cuyo destino se cruzará fortuitamente con el príncipe Henry.

Marla Grayson (Rosamund Pike) no tiene escrúpulos a la hora de beneficiarse de los demás. Después de haberse aprovechado de docenas de jubilados como tutora legal, ella y su compañera Fran (Eiza González) ven a Jennifer Peterson (Dianne Wiest) como la nueva víctima: una gallina de los huevos de oro a la que pueden desplumar fácilmente. Pero mientras intentan llevar a cabo su plan, Marla y Fran descubren que la señora Peterson no es lo que creían, y que sus actos han entorpecido la labor de un importante criminal (Peter Dinklage).

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Durante un recreo en la escuela, Lykke, de 13 años, hija de un destacado miembro del Partido Laborista, hiere gravemente a su compañero de clase Jamie, hijo de un político de alto nivel de la derecha. Cuando Jamie muere más tarde en el hospital, las versiones contradictorias de lo que realmente sucedió corren el riesgo de empeorar una situación difícil y traumática. ¿Fue sólo un juego inocente? Liv, la directora de la escuela y amante secreta del padre de Jamie, debe encontrar la fuerza para enfrentarse a una comunidad en apuros, y a sus propias emociones, altamente conflictivas.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

La historia de una saga familiar china, contada en diferentes períodos de tiempo, comenzando por el descubrimiento de la esposa de la homosexualidad de su marido. Cuando su hija adulta viene de visita, otros secretos saldrán a la luz lentamente.

This investigative documentary gives a comprehensive record of the development of China's "August 3 Crackdown on Mafia" campaign. Li Xiaoming, the main character of the film, escapes from the incident and goes through many ups and downs. The film explores that period from a personal point of view, slowly revealing the untold story of that period.

A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.

Yu Guangyi's stunning debut explores a grueling winter amongst loggers in Northeast China as they employ traditional practices through one last, fateful expedition. For generations, the lumberjacks of Heilongjiang, China have made their living harvesting timber amidst a barren, wintry landscape. These woodcutters confront the elements, living in makeshift cabins surrounded by snow and ice. Hand tools, sleds and horses are the only technology they employ to drag massive trees down the perilous slopes of Black Bear Valley. At constant risk of injury and death, they attempt to appease the mountain gods with ancient rituals and sacrifices. Despite their heroic efforts to subsist, the deforestation caused by their decades-long customs may lead to their ultimate demise.

To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.

The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.

Just a regular Joe trying to relax before going to work. There's just one problem... The Wall won't shut up.

A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.

A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.

Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.

The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.