Multiple SIDosis (1970)
Género :
Tiempo de ejecución : 10M
Director : Sid Laverents
Sinopsis
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). Added to the National Film Registry, Library of Congress for 2000.
A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.
The 8 minute short is open to interpretation as it examines the inner thoughts of several people around a table, with the Rita Hayworth version of Put the Blame on Mame playing on the soundtrack.
A series of ghost-like vehicles drive by in this short film by Hollis Frampton.
The camera pans across a field of flowers at extreme speeds in this short film by Hollis Frampton.
A butchered cow is decapitated in this short film by Hollis Frampton.
Short film which documents Marian Anderson's singing performance at the Lincoln Memorial.
Sexologists, psychologists, and proponents of sexual freedom, the Kronhausens here attempt to induce erotic response in the audience by carefully chosen visual stimuli and juxtapositions (aimed at both conscious and unconscious). Phallic symbols and open orifices, a tongue licking an orange, an unexpected finger entering the frame: almost any object or act, no matter how innocuous, the Kronhausens show, can be made to appear erotic, and reveals our predisposition towards ‘shaping’ visual evidence for purposes of erotic gratification.
A local council worker inspects three homes.
Siege is a 1940 documentary short about the Siege of Warsaw by the Wehrmacht at the start of World War II. It was shot by Julien Bryan, a Pennsylvanian photographer and cameraman who later established the International Film Foundation. Siege was nominated for an Oscar for Best One-reel Short at the 13th Academy Awards in 1941, and in 2006, it was named to the National Film Registry by the Librarian of Congress as "a unique, horrifying record of the dreadful brutality of war."
"I have not changed the editing structure. I have made the films printable. They are the first known fully collaged films, i.e., films made from found footage, and were done sometime in the ‘40s. Cornell combines Vaudeville jugglers, animal acts, circus performers, children eating and dancing, science demonstrations, mythical excerpts, and crucial freeze-frames of faces into a timeless structure, totally unconcerned with our usual expectations of “montage” or cinematic progression. He collects images and preserves them in some kind of cinematic suspension that is hard – impossible – to describe. But it’s a delight to anyone whose soul has not been squashed by the heavy dictates of Art." —Larry Jordan
A series of papers flutter in the wind in this short film by Hollis Frampton.
". ..As though you were approaching earth as a god, from cosmic consciousness. You see the same things but with completely different meaning."
A man talks about heroin abuse and withdrawal.
It is one of the most stirring animated films in the history of animation. In a simple, but powerful way Czekala presents a horror that happened in concentration camps – prisoners’ dread, humiliation and lost humanity. The everyday roll-call ends tragically because of prisoners’ “insubordination” in this black and white film. The Roll-Call crossed borders of what can be presented or not in animation. It is sometimes interpreted as a response to the trend of allegorical and philosophical films that dominated in Polish animation in 1960s.
Early Balkan footage.
Totems of destruction and desire. An operation on the combustible urges in a junk black mass. A swiftly-sliced nightmare of history and erotic autobiography.
In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.
An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.
Documentary about the potentially dangerous and unpredictable drug LSD. Various experts discuss how LSD is made and the hazards involved in using it while avid users explain why they enjoy taking it.
Story about a man whose environment doesn't let him live his simple life.