Mickey Mouse: La coqueta de Minnie (1929)
Género : Animación
Tiempo de ejecución : 7M
Director : Walt Disney
Sinopsis
Mickey sigue su día a día en la granja hasta que escucha cantar a Minnie.
A high-speed drive through the streets of Paris.
Historia de un carnicero de carne de caballos francés que queda encargado de velar por su hija, una joven que sufre de autismo, cuyas vidas siguen una rutina monótona aparentemente infinita.
El ayudante de un prestamista trata con su jefe gruñón, su molesto compañero de trabajo y algunos clientes excéntricos mientras coquetea con la hija del prestamista, hasta que llega a la casa de empeño un pérfido ladrón con malas intenciones.
Un aprendiz de sastre quema las ropas del conde Broko mientras las plancha y el sastre lo despide. Más tarde, el sastre descubre una nota explicando que el conde no puede asistir a un baile, así que decide vestirse como tal para ocupar su lugar; pero el aprendiz también ha ido a la mansión donde se celebra la fiesta y allí se topa con el sastre disfrazado…
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
"L'Arrivée d'un train à La Ciotat" es sin duda uno de los filmes más famosos de la historia. La imagen de un tren llegando a una estación, pasando muy cerca de la cámara mientras reduce la velocidad, se convirtió rápidamente en una escena absolutamente icónica de esa curiosidad de reciente invención llamada "cinematógrafo".
The Lion Tamer is a 1934 animated short film produced by the Van Beuren Studios and directed by Vernon Stallings and starring Charles J. Correll and Freeman F. Gosden as the voices of their popular radio characters, Amos 'n' Andy.
Forgive Us Our Debts combines a classic parable with the teachings of Jesus to His disciples. Jesus teaches that forgiveness comes from God as He instructs Peter to catch a fish that contains a coin to pay Peter's debt. Jesus also teaches about a man who is forgiven by his king of an enormous debt. Yet, the forgiven man leaves and immediately casts a man, who owes him almost nothing, into prison. The king then rescinds his forgiveness. To receive forgiveness we must also forgive.
Jerry's eccentric uncle, Pecos, a Texan mouse, comes to spend the night with him before his musical performance on television the next day. He decides to rehearse with his guitar for the performance but each time he plays, one of his guitar strings snaps off. Fortunately, he is able to replace them by plucking off one of Tom's whiskers each time. Tom is rather reluctant about this and tries to hide to protect his whiskers from Uncle Pecos.
The couple that owns Tom and Spike decides they can't afford to keep both. They agree that the first one to catch the mouse can stay - bad news for Jerry.
Greenaway's short documentary shows 26 bathrooms, each representing a letter of the alphabet.
A young girl leaves her home to find herself compelled to travel an intricate path - walking only on the cracks in the pavement. Along her journey, she faces challenges of every variety and with a combination of luck and skill manages to happily skip on her way.
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.
Pegleg Pete es un capataz de obra que acaba de despedir a su remachador. Donal necesita trabajar, así que dice tener experiencia y consigue el trabajo. Pero el trabajo en la obra es duro, y Donal se verá en mil y un aprietos...
A short, surrealistic horror story of a man hellbent on revenge.
Jerry and a friend overhear that Robin Hood is imprisoned; they set off to free him, but first they have to contend with his guard, Tom.
Heimlich ha gritado "¡que viene el lobo!" tantas veces que Horst y Dieter ignoran sus advertencias cuando un lobo se muda a la casa del al lado.
En un mundo de números, un cero oprimido descubre que hay mucho más allá de lo que le han inculcado toda su vida.
The creation of Earth and Mankind. And how God changed his mind.
"Psy-Show" concerns a man approaching middle age, a fragile soul who becomes the plaything of his psychoanalyst who surreptitiously re-positions his quiet motorized chair as his patient lies on the couch.
