Runaway (1969)

A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

I'm from Hollywood is about the adventures of late performance artist Andy Kaufman in the world of professional wrestling. This film includes interviews with Taxi co-stars Marilu Henner and Tony Danza and interviews with comedian Robin Williams, wrestler Jerry Lawler, wrestling commentator Lance Russell, and Kaufman's best friend, Bob Zmuda. Other people seen in the film include TV host David Letterman and Jimmy Hart of Continental Wrestling Association. The film's title refers to a phrase spoken by Kaufman to the Memphis wrestling audience.

Inspired by an Andrew Marvell poem, George Dunning sketched short phrases of animated movement on index cards, which were then stuck to a table top and filmed. Animation bared to the bone, and still extraordinary.

A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.

Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.

An examination of Charles Chaplin's final starring film.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

This documentary is featured on the Warner Bros. Chaplin Collection DVD for "The Circus," released in 2004.

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

Un chico decide escapar de su casa con la mujer de su vecino porque está enamorado de ella.

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Sobriety, Obesity and Growing Old picks up the narrative and themes begun in Kentridge's first film, Johannesburg the Second Greatest City after Paris, and follows the development of the relationships between his cast of invented characters, Soho Eckstein, his wife and her lover, Felix Teitelbaum. These relationships reflect, metaphorically, the changing political situation in South Africa at the time the film was made. Demonstrations and marches in opposition to the apartheid régime together with the governmental relaxation of most of the State of Emergency regulations and restrictions heralded the beginning of a change in the country's power structure (and white attitudes towards black African rights). Soho, a symbol of South African white power, develops the capacity for awareness, longing and love and the potential for guilt and repentance.

From: mike@erix.ericsson.se (Mike Williams) To: erlang-questions@erlang.org [...] As one of the main "actors" in "Erlang the Movie", I absolutely and categorically forbid its showing *anywhere*. If there was a competition for "turkey" short movies, I think we would win hands down. So, please, please, please, forget we made that retched film in 1990!

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

Debido a la imposibilidad de ascender laboralmente, Chin decide buscar otro trabajo. Su ambición contrasta con la de su pareja, un comerciante cuya única pasión es el béisbol y quizá también una antigua novia, con la que se ha vuelto a encontrar en un viaje de negocios en Tokio.

A short film directed by and starring Rosette, best known for her acting work with Éric Rohmer, featuring a star-studded cast and crew of regular players from Rohmer films. With the help of her friends, Rosette takes advantage of a gullible stranger passing by in order to sell him all her roses.