The Fly Guy (1931)
Género : Animación
Tiempo de ejecución : 7M
Director : Harry Bailey, John Foster
Sinopsis
An Aesop's Fables cartoon about a musical fly.
A nurturing farmer in is danger of losing his crop of windmills when he struggles against the cyclical forces of nature.
An unknown virus has destroyed almost the entire human population. Oblivious to the true nature of the disease, the only remaining survivors escape to the sea. In great ships, they set off in search of uninhabited land. So begins the exodus, led by one man ...
Papiroflexia (Spanish for “Origami”) is the animated tale of Fred, a chubby man with a passion for paper folding, who wants to change the world with his art.
Donald está preparando un pequeño picnic cuando ve pasar a unas hormigas. Decide burlarse de una de ellas apilando mucha comida sobre él. La hormiga finalmente tropieza, pero se da cuenta de que Donald está sentado en una verdadera mina de oro. Reúne a sus compañeras hormigas, y mientras Donald está durmiendo la siesta, lo llevan a un acantilado y lo dejan caer al río.
A prince discovers an enchanted beauty turned into a frog by Koschei the Immortal. After Koschei steals her again, the prince goes on a dangerous quest to free the land of the evil.
Lifelong friends Danny and Mark, both seventeen, struggle with the awkwardness of saying goodbye the night before Danny leaves for university in the city. Mark will stay behind to work on his father's farm, hoping someday to buy some land of his own.
La familia Buho es feliz con tres de sus hijos cantantes, pero están decepcionados con el cuarto, que no puede dejar de cantar jazz. Deciden tomar una decisión drástica: echarle del nido. Parodia de la que se considera la primera película con música sincronizada de la historia del cine, "El cantor de Jazz".
En Katnip Kollege, vemos una habitación llena de gatos que toman un curso de Swingología. Todo el mundo se balancea excepto Johnny, que no puede y tiene que sentarse en la silla del tonto.
Película antibelicista que muestra, sin diálogos, los días tristes y felices de una joven niña y su osito de peluche, un ratoncito llamado Kanku-boya y su familia, un árbol, varios posters que cobran vida o una vieja lámpara y una polilla. Con guión de Osamu Tezuka, creador de Astroboy.
A family of cats find an abandoned kitten and take him in to their home. But one of the siblings becomes jealous about the attention the new cat gets from her mother and runs away from home. The new member of the family goes looking for her. Can he bring her back home safely and get her to accept him as part of the family?
In this Lone-Ranger spoof,a cleaned-up version of Pegleg Pete robs a western bank and makes his getaway, and decides to hide his loot in a tree inhabited by two chipmunks, the chattering-and-clattering Chip 'n' Dale. They resent the intrusion but really begin to give Pete a hard time when they discover a reward if posted for his capture. The cavalry arrives but Chip 'n' Dale have the situation well in hand.
Cortometraje de animación oficial de Lucasfilm, estrenado en Cartoon Network para conmemorar el 10º aniversario de la licencia Lego Star Wars.
Rudolph es un reno que vive acomplejado por su nariz roja, la cual sólo le ocasiona las burlas de otros niños. Pero lo que el reno no sabe es que en el Polo Norte Santa Claus se prepara para la noche más importante. Desgraciadamente, esa noche hace demasiada niebla y Santa no puede hacer bien su trabajo, pero con la ayuda de Rudoph y su nariz, los problemas de Santa se verán solucionados.
A young man puts on the play "Romeo and Juliet" as a fundraiser, but has to keep a close eye on his dad, who's had several drinks too many, and a pesky cab driver who's determined to collect his fare.
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
A short segment of film is played with musical backing at various speeds for a jarring effect.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.