Black and White Trypps Number One (2005)
Género :
Tiempo de ejecución : 6M
Director : Ben Russell
Sinopsis
"A night sky fills with light shimmers and flecks, surface markings, heavenly bodies. It’s an ocean, a well, a screen, a mirror, a portal. Blackness/void cluttered by growing ephemera. Dark reaches of outer and inner space gradually sifts through shards of granite and diamonds. The mind races as the material becomes greater and more frenetic, reaching a nearly audibly grinding pitch of excitement, flurry, and instantaneous infinity that ebbs at first and then maintains. Flashes of color emerge or are imagined. Chaotic flickering of dancing peasant girls and violently twisting astronaut helmets. Layers of sea slime over undulating life forms. Bonfires and celebration. Explosions, construction. Holocausts. Primordial ooze, modern civilization. Ages and seconds. Floating heads circle kaleidoscopic bursts of shiny beads. Everything everywhere twists, forces through, transforms into, overlaps everything else." - JT Rogstad, The International Exposition (TIE)
A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.
MIA es un cortometraje erótico-documental autobiográfico que retrata los roles de dominación y sumisión entre dos jóvenes. Aya Wolf, una actriz de 25 años, encarna a la protagonista, que relata sin censura y sin tapujos sus confesiones más íntimas en su primer acercamiento a un mundo totalmente nuevo.
Las creaciones de Gus son obras de arte, pero no lo son tanto para la cigüeña que tiene asignada y que se encarga de hacer las entregas, Peck.
A documentary following young Anishinaabe water activist Autumn Peltier as she travels to the UN to preserve the future of Indigenous communities.
Al darse cuenta de que Bridget y los Bergens no tienen ningún día de fiesta, la reina Poppy ingenia un plan con Branch y el resto de la pandilla para crear uno.
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
Rising es un cortometraje de terror dirigido por Dylan Doornbos Hayes, protagonizado por Jackson Robert Scott y Molly Gordon.
Han pasado diez años desde que los dragones se mudaron al Mundo Oculto, y aunque Toothless ya no vive en New Berk, Hiccup continúa las tradiciones navideñas que una vez compartió con su mejor amigo. Pero los vikingos de New Berk comenzaban a olvidarse de su amistad con los dragones. Hiccup, Astrid y Gobber saben exactamente qué hacer para mantener a los dragones en los corazones de los aldeanos. Y al otro lado del mar, los dragones tienen un plan propio ...
Una anciana quiere cenar con sus amigos. Como todos están muertos, el mayordomo tiene que desempeñar el papel de cada huésped.
Los Minions le preparan a Agnes una bicicleta muy especial.
Un Minion observa a la gente paseando a sus mascotas. Esto despierta en él un deseo de hacer lo mismo, así que busca la forma de lograrlo.
Cortometraje ambientado en el mundo de Hotel Transilvania, en el que Denis, el nieto de Drácula, lidia con una mascota de tamaño gigante.
Nos situamos un año después tras el final de 'Capitán América: El primer Vengador' con la agente Peggy Carter persiguiendo algo llamado Zodiac.
Trevor Slattery se ha convertido en un icono infame. También está encerrado en una prisión de alta seguridad. Por suerte, su nuevo perfil le ha comportado la fama y la protección en el interior. El actor ha aceptado de buen grado someterse a una entrevista en profundidad con un director de documentales para que elabore su perfil.
Claire y Benny son una pareja que encuentra una de las armas de los Chitauri después de que Los Vengadores salvan al mundo, decidiendo usar el poder de este artefacto para cometer fechorías y tener una vida llena de lujos y facilidades, al estilo de Bonnie y Clyde. Dos agentes de S.H.I.E.L.D., tienen como misión recuperar el arma conocida como 'Artículo 47'.
Un trabajador social llega a casa de Gru para descubrir si es idónea para niños. Los Minions tendrán que hacerse cargo de la situación. Spin-off de la película "Gru, mi villano favorito".
La pequeña Ángela tiene una idea estupenda cuando acude a la iglesia junto a su familia en Nochebuena. Una historia conmovedora basada en el libro de Frank McCourt.
En esta nueva aventura, Wallace le regala unos modernos pantalones a Gromit que le acabarán saliendo más caros de lo que esperaba después de conocer al huesped al que hospedarán en su casa, un aparentemente inocente pingüino...
After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.
“I could do wonders if I didn't have a body. But the body grabs me, it slows me, it enslaves me.” -- Ponce de Léon Our PONCE DE LEÓN discovered the fountain of youth and drank of immortality in the waning moments of his life. In an instant, he became old forever – an 80-year old Spaniard who would continue to walk the earth for century after century after century, watching as coral foundations gave way to mangrove swamps, as swamps were drained and buildings were erected, as buildings decayed and swamps returned. Our PONCE DE LEÓN is an immortal for whom time poses the greatest dilemma – it is a constant, a given, and his personal battle lies in trying to either arrest time entirely or to make the hands on his clock move ever faster. For Ponce de Léon, time is a problem of body, and only by escaping his container can he escape time itself.
July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.
A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011. In a place thick with stray cats and scooters, cops and Molotovs, ancient myths and new ruins; where fists are raised like so many columns in the Parthenon, this is a film of surfaces - of grafitti'd marble streets and wheat-pasted city walls - hand-processed in red, green, and blue.
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
"TRYPPS #7 (BADLANDS) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park before descending into a psychedelic, formal abstraction of the expansive desert landscape. Concerned with notions of the romantic sublime, phenomenological experience, and secular spiritualism, the work continues Russell's unique investigation into the possibilities of cinema as a site for transcendence." - Michael Green, Museum of Contemporary Art Chicago
An autocratic Director (Harold Pinter) and his Assistant (Rebecca Pidgeon) put the final touches to the last scene of some kind of dramatic presentation, which consists entirely of a man (John Gielgud) standing still onstage.
In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.
An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.
Maarten, a 34 year old cell biologist, works on cloning. One night he dreams he has only seven days left to live.
This short from the UPA studio was nominated for the 1952 Oscars. Based on the Madeline series of children's books.
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Seeking escape from his stalled relationship and unhappy place in the world, a recently pink-slipped music teacher sets out to hike Kentucky's Sheltowee Trace Trail. Among the verdant hills of Appalachia, he encounters various strange characters and becomes the reluctant companion of a gregarious father and son who ultimately help him rediscover what he's been missing.
Suggestion: Please see 'Another Occupation' before 'Seeking the Monkey King'. Contains flicker like many of my works; avoid if you have epilepsy or other unusual brain conditions.
Rinko and Isamu have been living together for three years in what seems like an idyllic situation, except for one detail: they broke up months ago. Even so, despite misgivings from her friends, the setup is comfortable enough for Rinko not to feel pressured to change it. When an attractive graduate student takes an interest in Isamu, however, Rinko is forced to confront her remaining feelings for him and the reality of their cohabitation.
Jūzō Itami's debut short film, concerning a group of unique young people in the high economic growth period who are into games with rubber band pistols.
Didier, 39, an unemployed artist, depressive and hypochondriac, is persuaded he is going to die within one or two months because of the asbestos contained in his radiator. That's why he decides, as a testament destined to his retired father, to have himself filmed in the places he and his parents used to go to for their Sunday escapades when he was a kid. But, after leaving Bastogne, he hears on the radio that Marc Dutroux, the pedophile-torturer-murderer has just escaped the police forces. Totally upset, Didier decides to fork off to Grâce-Hologne, a little village close to Liège, to protect a potential victim of Dutroux.
An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.
A film documenting the landscapes of northern Iceland, as well as a recent work about the Hudson River.
7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).
A fifteen-year-old boy with only months to live is granted one wish from the Dreamscape Charity. But David doesn’t want to go to Disneyland or meet Gary Neville; what he really wants is an hour alone with a naked woman.
