3:00 AM (2012)

Una joven pareja, Rosemary y Guy, se muda a un infame edificio de apartamentos de Nueva York, conocido por aterradoras leyendas y misteriosos sucesos, con el propósito de formar una familia.

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

Adaptación animada en CGI de un clásico libro para niños. El protagonista es un ratón que supera los peligros del bosque con su astucia. (FILMAFFINITY)

Jane (Shanna Reed) está siendo atormentada por su ex marido Bonner (Terry O’Quinn), un detective que está exasperado por haber perdido la custodia compartida del hijo de ambos, Eric de ocho años. Mientras tramitan el divorcio, el acoso de Bonner se agudiza tanto que Jane y su nueva pareja Patrick (Pierce Brosnan) deciden dejar la ciudad para irse a California a comenzar una nueva vida, llevándose a Eric. Más enfurecido aún, Bonner los persigue.

The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.

Todos los que conocían al matrimonio Bartrand -formado por Bill (Stephen Collins) y Sally (Dawn Lambing)- afirmaban, sin temor a equivocarse, que ambos junto a sus dos hijos, eran una familia ejemplar y unida. Por ello, cuando Michelle (Keri Russell), la canguro de los niños (y amante secreta del padre), encuentra el cuerpo sin vida de la dueña de la casa, nadie puede explicarse las causas que le llevaron a dispararse un tiro en la sien, como evidencian las apariencias. Michelle se convertirá en la principal sospechosa, pero ella misma descubrirá que nada es lo que parece...

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

A porcelain doll’s explorations of a dreamer’s imagination.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

En este thriller, el psiquiatra Dr. Cross (Vincent Price) mata a su esposa y espera salirse con la suya, hasta que descubre que el asesinato fue observado por una vecina de al lado, Janet Stewart (Anabel Shaw). Mientras Janet intenta convencer a su esposo (Frank Latimore) de la vil hazaña del médico, Cross aparece para advertirle que Janet necesita urgentemente un asesoramiento profundo.

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

Enigmática historia contada en siete capítulos, cada uno iniciado con un cartel elíptico. Un hombre está en un apartamento, sale afuera y observa una catedral... cine experimental y surrealismo directo de la retorcida mente de los multipremiados Hermanos Quay, en éste su primer trabajo. (FILMAFFINITY)