Ditegli sempre di sì (1962)

Father, mother, 3 children, grandparents, brothers, sisters, surprise guests, friends, enemies ... By mistake, the family moves into a huge apartment that was not intended for them. Too late, they signed, war is declared to stay! And meanwhile, the children are growing up, the parents are getting older, and life is pulsating in a whirlwind of delirious adventures. Not easy to be parents and even less to be models!

Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.

Un hombre adelantado a su tiempo, Cyrano de Bergerac deslumbra ya sea con feroces juegos de palabras en una justa verbal o con un brillante manejo de la espada en un duelo. Pero, convencido de que su apariencia lo hace indigno del amor de una devota amiga, la luminosa Roxanne, Cyrano aún tiene que declarar sus sentimientos por ella, y Roxanne se ha enamorado, a primera vista, de Christian.

On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.

The play is based on a classic love triangle. This is a story of temptations, disappointments and bitter betrayal, like a plague, that struck three lives on a white summer night – the aristocrat Julie, her father's servant Jean and the maid Christina. This is a story about how one Midsummer night, intoxicating with the riot of nature, including human nature, can change people and make them lose their usual appearance, exposing their animal desires and passions. To turn a happy couple in love into an unhappy, high - born mistress into the slave of their lackey, driven by base passions, and what has always been called love, to turn into a Sizzling vulgar lust. What is this force that so ruthlessly reveals to us the other, animal nature of man, and can it be resisted?

A perceptive and funny study about the fantasies, inhibitions and dreams of two frustrated and lonely middle-class matrons who set up competing lemonade stands along a jammed highway. This short play incorporates comedy and tragedy, a touch of the bizarre, and ultimately, a sincere compassion in both women.

Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.

The Venetian performance world is on the alert: an impresario is looking for talent to stage what he defines as the most beautiful opera of his time. Everyone goes there from their pushy little merry-go-round to attract the favors of the character and extricate themselves from misery. But the main interested party hardly seems to be sensitive to these effects.

Counted among his greatest tragedies, Shakespeare’s unsettling combination of warring soldiers and ‘weird sisters’ is brought to life in this post-apocalyptic reimagining of the Scottish play. This production, directed by Gemma Bodinetz and starring David Morrissey in the title role, was captured by Digital Theatre live at the Everyman Theatre, Liverpool.

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

La conversación más larga e íntima entre Truman Capote y Tennessee Williams. Lisa Immordino Vreeland examina a dos de los escritores más importantes del siglo pasado a través de un emotivo diálogo protagonizado por ambos que recorre desde el inicio de su amistad hasta su final, lleno de desencuentros. Para su construcción la directora se vale de las mejores entrevistas a los escritores, además de fotografías históricas e inéditas. Incluye también pasajes interpretados por Jim Parsons y Zachary Quinto que ponen voz a los dos genios en diferentes etapas de su vida para reflexionar sobre diferentes temas como su homosexualidad o su relación con el cine.El resultado es un documental sumamente atractivo en lo visual con el que revivir y examinar de cerca a estos dos genios a través de la singular amistad que los unía, repleta de momentos de amor y odio.

Paris, in 1942. The wearing of the yellow star is decreed. On the verge of bankruptcy, Joseph Haffmann, a Jewish jeweler, offers his employee, Pierre Vigneau, to entrust him with his shop if he agrees to hide it until the situation improves for the Jewish community in France. Will Peter take the risk to clandestinely host his "old" boss? And if so, under what condition? Pierre finally accepted. Named six times for Molières, four times awarded, this play by Jean-Philippe Daguerre has been adapted for the cinema with, in the main roles, Daniel Auteuil, Sara Giraudeau and Gilles Lellouche. The film will be released in 2021.

Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.

Västanå Teater presents a exciting, poetic and peculiar version of the Poetic Edda. Recorded at Riksteatern during the spring of 2020.

A spooky mansion, a plucky young heroine and a handsome English aristocrat. Add a German butler and a Spanish soap star and you're... COOPED with Spymonkey! Beautiful, fawn-like Laura du Lay arrives in the heart of darkest Northumberlandshirehampton to take up a post as secretary to the reclusive (but devastatingly handsome) Forbes Murdston. She has ignored for as long as she can the unsettling rumours that surround her new employer and his ominous manservant Klaus. If only Roger Parchment, the family lawyer, were not so obviously in love with her! Then she could confide in him her darkest fears: Is Forbes really the killer who lurks in the darkness? Who is the prey he seeks? And will Inspector Detective Judadench solve the mystery before it is too late?!