Emi (2009)
Género : Animación, Drama
Tiempo de ejecución : 8M
Director : Gwendoline Ancelin, DIONO Corbel, Nicolas Guazzagaloppa, Julien Schmitt
Sinopsis
A short film that explains the quote, the greatest gift that we can give, is the gift of self.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by
Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.
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Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".
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Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
A display at the strange and wonderful artifacts in a collection of medical curiosities.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
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Enigmática historia contada en siete capítulos, cada uno iniciado con un cartel elíptico. Un hombre está en un apartamento, sale afuera y observa una catedral... cine experimental y surrealismo directo de la retorcida mente de los multipremiados Hermanos Quay, en éste su primer trabajo. (FILMAFFINITY)
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pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
Two men seek to negotiate an agreement of international significance.
Adaptación animada en CGI de un clásico libro para niños. El protagonista es un ratón que supera los peligros del bosque con su astucia. (FILMAFFINITY)
The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.
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Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.