El juego de la asfixia (2014)

Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.

During an experiment, an accident occurs at the Institute of Epidemiology. To prevent the virus of a deadly disease from penetrating the walls of the laboratory, five employees remain in quarantine. In this situation, people reveal themselves in the most unexpected ways.

During a robbery attempt at the local cinema-plex in 1977, Shawn Davis reflects on the last three years of his life. Movies, cars, girls, college, drugs and personal life-changing decisions.

Two teenagers, trapped in the horrible place where they were born, try to escape from a world in black and white and look for a world in color.

'The Weepers' is a 30-minute short film that playfully explores Scotland's relationship with the Gothic horror genre. Drawing on a variety of cultural reference points, including Scottish myth, haunted house movies and Doctor Johnson’s trip to the Hebrides, the film is a surreal exploration of Highland culture post-Clearances, where the number of sheep has gradually exceeded that of the human population.

A woman's mythological journey into a dystopian world.

In a dystopian future, Joana and Valenza take a journey adrift through a northeastern city. Through electronic music and a noisy track, the characters walking the streets perform what they feel while living in this society trying to understand it. Abjetas 288 deals with territorialities, identities and meritocracy, all with an ironic tone and using allegorical elements that dialogue with the popular history of Aracaju.

A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.

The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

Unable to afford proper menstrual products, Chloe is constantly faced with anxiety and humiliation; this is not the first time this has happened and it won’t be the last. 'Absent' is based on multiple true stories and made in association with Freedom4girls. It aims to raise awareness around period poverty in the UK.

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

Isa, 25, is an influencer:1,5 million followers on Instagram. Too bad that she gets busted with illegal substances for athletes, robbing her of authenticity - a dramatic decline in her career.

In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?

Salir con amigos, fumar mucho, girar botellas y besarse, cometer errores, jugar, negarse a aceptar, soñar con los ojos abiertos: la vida de un adolescente puede ser abrumadoramente hermosa y difícil al mismo tiempo. En su debut, la directora ucraniana compone un retrato profundamente emotivo y de múltiples capas de una generación mientras fluye sin problemas entre la ficción y el documental.

Madrid es el punto de confluencia de once historias de personas en tránsito físico y espiritual. Once historias honestas y directas, jóvenes y necesarias como sus protagonistas, que surgen de la experiencia pedagógica, terapéutica y cinematográfica de la Escuela Dentro Cine organizada por Pedro Sara y Violeta Pagán (Las edades sensibles de la luz) en Matadero Madrid. Once historias nuevas que hablan de la vida y las esperanzas, de las fronteras y los territorios, del crecimiento y la supervivencia. Un emocionante relato polifónico que nos acerca al aquí y al ahora.

Journey of a woman on a writer's retreat, struggling with her identity as a closet homosexual. Her life unfolds through three love interests, one real, one a figment of her imagination and the third virtual - man, woman and AI.

Minyoung is a shy high school girl suffering from depression and bulimia. She is mercilessly bullied by her classmates, especially the sadistic Taeyong and his posse. One day, she is rescued by a sympathetic classmate who introduces her to transhumanism, a process where electrical shocks to the brain cause a person to "wake up to reality" through electrical baptism. Now, fully empowered, she plans revenge for the boys that have brutally bullied her. But when Taeyong turns up murdered, Minyoung must travel back in time using the Tesla coil to reveal the killer... even if the killer might be herself.

So-Ah works as a teacher at a local school. She was curious about Boo Young-Suk, a student with a sinister aura who is always present on the attendance list but no one calls him by name. The more she tries to get Boo Young-Suk back to school, strange things begin to happen at school.

Mark has to pass his exam in Chemistry, so he resorts to using drugs that will enhance his learning abilities. The pink pills though, come with side effects...