Soft Rain (1968)

Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls. …The loop repetition (the series hopefully will intrigue you to further run-throughs) automatically imparts a steadily growing rhythmic sense of the street-activities. Anticipation for familiar movement-complexes builds, and as all smaller complexities join up in our knowledge of the whole the purely accidental counter-passings of people and vehicles becomes satisfyingly cogent, seems rhythmically structured and of a piece. Becomes choreography.