Red Men on Parade (1941)

Cuando un barco que trae valiosos ejemplares para el Museo de Historia Natural de Chicago llega al puerto, aparece lleno de cadáveres horriblemente mutilados. Una bióloga evolucionista que trabaja en el museo (Penelope Ann Miller) y un teniente de policía (Tom Sizemore) intentarán esclarecer las causas de tan atroces muertes.

Un joven psiquiatra y su esposa deciden alquilar una casa en Clark Harbor, en la costa del Pacífico. Desean tener paz y tranquilidad, pero pronto se verán envueltos en una serie de extrañas muertes, la mayoría de las cuales tienen lugar los días que hay tormenta.

With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

Scenes of daily life in the Indian communities of Ecuador.

In the Sacramento Mountains of Southern New Mexico In the shadow of Sierra Blanca Peak Live the proud people of the Mescalero Apache With a history of peace, and unimaginable struggle The Mescalero live to honor their ancestors While fighting to survive in a modern world This is their story, in their words, from their Homeland Nation.

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.

We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.

This unconventional ethnographic documentary of the Hopi people, an indigenous people of the North American Southwest, weaves natural photography together with interviews about food and religious practice.

Don Pablo Salazar steals a fortune in jewels from an Indian tribe and an Aztec medicine man puts a curse on the jewels until they are returned. Years later, an American insurance man promises to deliver the Salazar fortune to the rightful heir...

A collector, a cop and a minister want to displace a community of tribal people from their mountain homes for their personal gains.

The search for a lost gold mine hinges on a secret branded onto the neck of a great horse, White Fury.