Daft Punk Unchained (2015)
Género : Música, Documental
Tiempo de ejecución : 1H 25M
Director : Hervé Martin-Delpierre
Sinopsis
La historia de dos artistas inflexibles. "Daft Punk Unchained" es la primera película documental sobre el fenómeno de la cultura pop que es Daft Punk, un dúo musical con doce millones de discos vendidos en todo el mundo y siete premios Grammy. A lo largo de su carrera, Thomas Bangalter y Guy-Manuel de Homem-Christo se han resistido a ceder ante los códigos establecidos de la industria. En una era de globalización y redes sociales, raramente hablan en público o hacen apariciones en la televisión. Este documental explora su particular revolución cultural y revela a unos artistas en permanente búsqueda de creatividad, independencia y libertad. El filme combina imágenes de archivo y exclusivas entrevistas con sus más cercanos colaboradores, como Pharrell Williams, Giorgio Moroder, Nile Rodgers y Michel Gondry, que hablan de su trabajo con Daft Punk.
Featuring footage from their cradledays and early formation in Orebro, Sweden when four melancholy, skateboarding punkerkids with burning musical ambitions and wheels of fire started the band in 1992, 'til 500 shows later finish their worldwide "For Monkeys-tour" in Buenos Aires, Argentina August 1998. Meet the four monkeys filmed during six years on five different continents. Meet their audience and meet the reality of a young unexpecting band being shaped by harsh massive 'get in the van-styled' touring, full-speed-ahead chanting record labels, publishers, booking agents and overwhelming fans. Get a close look at success, appreciation, home-sickness and frustration as we welcome you all to the first episode of Millencolin & the Hi-8 adventures, and the bands mysterious world of softcore...
A teenager, son of an army officer moves with his family to Ljubljana in the fall of 1979. In the new surroundings, he'll fall in love, make friends and discover the world of punk rock. The latter will put him into the troubles with his strict father.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
In December 2006 a 22 year old Amy Winehouse traveled to Dingle to record a performance and interview for seminal Irish music TV series Other Voices. This is the story of that day. When Amy Came to Dingle is a gentle and fascinating portrait of one of musics most extraordinary talents, who passed away in July of this year. The programe steps back to a time and a place when vitality, promise and potential were Amys calling cards, before her personal troubles overtook her enormous musical achievements and tabloid headlines defined her life. Just before 9pm on December 3rd, 2006, Amy Winehouse took to the stage at St. James Church and in an emotional and personal performance she claimed the hearts of the tiny audience that packed the church to its rafters.
Un grupo musical de moda, después de una gala, sufre un accidente y sus miembros se ven obligados a aceptar la invitación de alojarse en una apartada mansión. La amabilidad de la Condesa y de su mayordomo encubre macabros planes de los que serán víctimas la mayor parte de ellos... (FILMAFFINITY)
Set in Tangier, Traitors tells the story of Maika, a calm, conservative girl by day and a leader of an all-girl punk group by night.
A tour-documentary about the german punk-band "Slime".
The mice are on the loose after hours in a doctor's office, playing with the various pieces of medical apparatus. Susie Mouse is caged for research until her lover Johnnie frees her. A mouse orchestra plays a swinging wedding song. But throughout, a cat is stalking...
Recorded Live at The Olympic Auditorium in Los Angeles CA on October 29 2005. Setlist: 01 - Intro - 02 - I Shot Reagan - 03 - War Inside My Head - 04 - Subliminal - 05 - Ain't Gonna Take It - 06 - Suicidal Failure - 07 - We Are Family - 08 - Possessed to Skate - 09 - I Saw Your Mommy - 10 - Waking the Dead - 11 - Show Some Love... Tear It Down! - 12 - Cyco Vision - 13 - Two-Sided Politics - 14 - Won't Fall In Live Today - 15 - Institutionalized - 16 - Pledge Your Allegiance
Concert live at Astoria, London 28th September 2001 with bonus footage of the band behind the scenes and a selection of official music videos.
In the film "You Don't Need Feet to Dance," African immigrant Sidiki Conde, having lost the use of his legs to polio at fourteen, balances his career as a performing artist with the almost insurmountable obstacles of life in New York City, from his fifth-floor walk up apartment in the East village, down the stairs with his hands and navigating in his wheelchair through Manhattan onto buses and into the subway. Sidiki struggles to cope with his disability and to earn a decent living, but he still manages to teach workshops for disabled kids, busk on the street, rehearse with his musical group, bicycle with his hands, and prepare for a baby naming ceremony, where he plays djembe drums, sings, and dances on his hands.
El grupo multimedia Electronic Beats nos presenta, a través de su plataforma más conocida, la revista en formato DVD Slices, una serie de documentales en los cuales nos diseccionarán a artistas, o mejor dicho pioneros, de la música electrónica. Para empezar han ido a seleccionar a uno de los iconos más grandes e importantes de la música electrónica, el dueño y señor del arrollador sello M_nus: Richie Hawtin.
Fred (Christopher Lambert) vive en el metro de París y sobrevive a base de pequeños robos. Héléna (Isabelle Adjani) es la bella esposa de un millonario al que Fred acaba de robar. Ella necesita recuperar los documentos robados; él quiere casarse con ella y montar un grupo de rock con un batería (Jean Reno) y un bajo (Éric Serra). Con la mafia y la policía siguiéndoles los talones, ambos buscan refugio en el laberinto del metro. Así empieza una aventura por un mundo subterráneo, poblado por los seres más extraños. (FILMAFFINITY)
A short educational documentary on early electronic composition and synthesizers.
The story of London's toughest and poorest part as told through the eyes of the iconic band Cockney Rejects.
Documentary about the 1965 Motown Revue UK tour and the Ready Steady Go! TV special.
What Poor Gods We Do Make: The Story and Music Behind Naked Raygun," the 2-disc DVD/CD focuses on the band's history and the development of their music from "Basement Screams" to "Raygun,Naked Raygun" through interviews with the band and many interviews, including Steve Albini, The Lawrence Arms, 88 Fingers Louie, Jake Burns of Stiff Little Fingers, The Effigies and many more. Moreover, the film aspect also focuses on the history and influence of Chicago's independent and punk scene, even though it was often, and still, overlooked by punk historians and more recently, documentary filmmakers. The CD portion of the release will feature live highlights from their shows since Naked Raygun's reunion at Riot Fest 2006, and will include all of the songs most identified with Naked Raygun.
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
Nueva Granada, un barrio marginal y aislado, fruto de la especulación inmobiliaria, carece de lugares de ocio y servicios para los adolescentes. Dadas las circunstancias, éstos se refugian en las drogas y la delincuencia.
A group of crotchety codgers attempt to revive the punk-rock band they all played in 17 years earlier in "Punk Is Not Dead".
A principios del siglo XXI, la Tyrell Corporation desarrolló un nuevo tipo de robot llamado Nexus, un ser virtualmente idéntico al hombre y conocido como Replicante. Los Replicantes Nexus-6 eran superiores en fuerza y agilidad, y al menos iguales en inteligencia, a los ingenieros de genética que los crearon. En el espacio exterior, los Replicantes fueron usados como trabajadores esclavos en la arriesgada exploración y colonización de otros planetas. Después de la sangrienta rebelión de un equipo de combate de Nexus-6 en una colonia sideral, los Replicantes fueron declarados proscritos en la Tierra bajo pena de muerte. Brigadas de policías especiales, con el nombre de Unidades de Blade Runners, tenían órdenes de tirar a matar al ver a cualquier Replicante invasor. A esto no se le llamó ejecución, se le llamó retiro.
Dos años antes de estallar la Guerra Civil (1861-1865), Schultz, un cazarrecompensas alemán que le sigue la pista a unos asesinos, le promete al esclavo Django dejarlo en libertad si le ayuda a atraparlos. Terminado con éxito el trabajo, Django prefiere seguir al lado del alemán y ayudarle a capturar a los delincuentes más buscados del Sur. Se convierte así en un experto cazador de recompensas, pero su único objetivo es rescatar a su esposa Broomhilda, a la que perdió por culpa del tráfico de esclavos. La búsqueda llevará a Django y a Schultz hasta Calvin Candie, el malvado propietario de la plantación "Candyland". La presencia de ambos en los alrededores de la propiedad, despierta las sospechas de Stephen, el esclavo de confianza de Candie.
Narra las aventuras de un grupo de exploradores que hacen uso de un agujero de gusano recientemente descubierto para superar las limitaciones de los viajes espaciales tripulados y vencer las inmensas distancias que tiene un viaje interestelar.
Jules y Vincent, dos asesinos a sueldo con muy pocas luces, trabajan para Marsellus Wallace. Vincent le confiesa a Jules que Marsellus le ha pedido que cuide de Mia, su mujer. Jules le recomienda prudencia porque es muy peligroso sobrepasarse con la novia del jefe. Cuando llega la hora de trabajar, ambos deben ponerse manos a la obra. Su misión: recuperar un misterioso maletín.
