New Domestic Animal (1964)
Género : Documental
Tiempo de ejecución : 10M
Director : Dušan Makavejev
Sinopsis
This short doc is about changes occurring in Yugoslav rural life as it begins to reap the benefits of motorization, e.g. delivering fruits and veggies to market by automobile, but with a bitter theme: progress is set against horses sent to the slaughter as the car becomes the new domestic animal replacing the animals that had hitherto worked for man.
En los pacificos prados de Inglaterra vive una comunidad de conejos. Cuando su madriguera se ve amenazada, un pequeño grupo de valientes conejos escapa de la madriguera en busca de un nuevo hogar. Conducidos por Fiver el visionario, Bigwig el valeroso, y el honorable Hazel hacen frente a multitud de desafíos y peligros que superan gracias a su fuerza y astucia para sobrevivir, mientras persiguen su sueño.
Mitsuki and Yuya become stepsister and stepbrother because of their parents' marriage. Mitsuki can't get along with her new family and Yuya doesn't know how to approach his new stepsister. One day, Mitsuki becomes possessed by the spirit of Hiyori. Hiyori likes Yuya and believes Yuya can help her get to heaven. Hiyori places a leather chastity belt upon on Mitsuki and a plan takes place to help send Hiyori to heaven.
A man stays with his father's friend Min-cheol in Seoul as he attends law school. The man has an interest in Min-cheol's young wife, Soo-kyeong, and in her best friend, Yoo-ra.
A girl, Sakae, who is looking for a dentist for a pain in a tooth, meets Shinkichi along the way, a guy that gives her a ride. The dentist, a woman, starts to visit her, anesthetizes her and abuses her. Sakae and then Shikichi, are drawn into a nightmare of sex and perversion ... But is this all real?
Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.
Parade, one of Makavejev’s best-known films, is view into the preparations International Worker’s Day where the director all but ignores the titular parade. The film focuses on the people – those who work and those who wander the streets, sometimes lost among the throngs, shown in a by-the-way fashion and not without humor. Makavejev claims he sought to show, man as he is...
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This short doc is about changes occurring in Yugoslav rural life as it begins to reap the benefits of motorization, e.g. delivering fruits and veggies to market by automobile, but with a bitter theme: progress is set against horses sent to the slaughter as the car becomes the new domestic animal replacing the animals that had hitherto worked for man.
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Agileo es enviado por el gobierno para construir un camino en un pueblo. Los habitantes, liderados por Avelino, el hombre más poderoso del lugar y propietario de la cantina El Brazo Fuerte, intentan expulsar a Agileo. Sin embargo, cuando éste recibe una carta oficial, todos piensan que se trata de una felicitación del presidente para él y tratan de ser generosos. Éste se casa con Nacha, hija de Avelino, y hereda todos los negocios y el prestigio de su suegro cuando éste muere. Dirige entonces al pueblo con mano de hierro, se enriquece y lleva a la cárcel a sus oponentes. Tras la muerte de Agileo se descubre el contenido de la carta.
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The film follows men over several years who reach the age their father was when he died. Among these men are Cyrill Renaud, the son of filmmaker Renaud Victor, who carries the weight of an interrupted work, and Cyril Casmèze, a zoomorphic acrobat who has made working with animality a mode of protection and survival. It is an exploration of grief over the long term, a story of fathers and sons, but also a story of mothers and sons. When the father is gone, the relationship to the mother changes. The film is constructed in two chapters. One that looks back on the brutality of the loss and the trauma, the other that opens up the future, the transformation, the rebirth, now that these men have outgrown their father and allow themselves to live. A third man, Loup, joins them. He too has lost his father and "being a father in turn" has been a way to move forward.
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