Don't Believe in Monuments (1958)
Género : Documental
Tiempo de ejecución : 5M
Director : Dušan Makavejev
Sinopsis
A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.
Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.
Two young men journey across the U.S.A to honor one's mother by spreading her ashes at monuments she always dreamed of visiting. Along the way they encounter interesting characters and dangerous situations that force them to question their own character and their life-long friendship. Marital strife, jail time, car chases, old secrets and a demolition derby all threaten to derail their trip and their lives.
The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
Ivan Ivanović, a party functionary, arrives in a provincial town as a temporary replacement for a cultural official. The newcomer is fanatically eager to reform the town's cultural life in accordance with socialist ideals. He abolishes all five music societies and orders a monument of the town's most revered native, late composer Ciguli Miguli, removed from the main square. Ivanović's actions, however, meet stiff resistance from the townspeople, especially the youth.
A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.
How would you feel if the state sold the mountain above your village to a big multinational, your country's beautiful islands, its beaches or your great monuments? Strangled by debt, governments and public administrations all over Europe act like any indebted family: they try not only to reduce costs, but attempt to replenish their coffers by putting their most valued family possessions on the market. More often than not, this includes part of the countries' historical and natural heritage: castles, islands, mountains, beaches, palaces, ancient arenas and archaeological sites.
But who really owns these properties? Aren't they our common heritage, our history that will end up in private or corporate hands and will no longer be accessible to all?
Or is the private sector more efficient in managing these properties? And if so, who decides on the best deal? Are there democratic proceedings for the sale of our common good? The people of Europe want accountability.
“First” pan in Pannonian Basin and highly likely in the Balkans was created in 1912 by Ernest Bosnjak. The film documented the unveiling of the monument to Ferencz Rákóczi in Sombor and also features a brief tilt shot of the monument itself.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
Journalist Fabian Burstein looks behind the curtains of the porn industry. Starting in Budapest he heads westwards to explore a new world on its victory march rooted deeply in Austria. On this journey he meets the heroes and leading actors of this story: Austrians Mick Blue, Renee Pornero and Thomas Janisch. Porno Unplugged follows its native porn stars to where their lives happen. From east to west...
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
Famoso documental que aborda la cuestión de la violencia en América. ¿Por qué 11.000 personas mueren cada año en Estados Unidos víctimas de las armas de fuego? Los "bustos parlantes" vociferan desde la pantalla de TV echándole la culpa ya a Satán ya a los videojuegos. Pero, ¿en qué se diferencia Estados Unidos de otros países? ¿Por qué Estados Unidos se ha convertido en responsable y víctima de tanta violencia? "Bowling for Columbine" no es una película sobre el control de la venta de armas, es una película sobre el miedo de 280 millones de norteamericanos que se sienten más seguros sabiendo que la tenencia de armas es un derecho consagrado por la Constitución.
Johnny Knoxville y el resto del reparto de la serie de televisión "Jackass" realizan las hazañas más escandalosas y divertidas en Japón, donde se disfrazan de pandas y atacan un campo de golf mas intensas que en la TV.
Johnny Knoxville y sus amigos siguen con sus arriesgadas aventuras.
En 1972 se estrenó una película que convulsionó la realidad social estadounidense: Garganta Profunda. Estrenada en el mismo momento en que los movimientos nacionales para la liberación sexual, la igualdad de derechos y los valores contraculturales estaban alcanzando su punto álgido, esta película sexualmente explícita se convirtió inesperadamente en el epicentro de una tormenta social y política sin precedentes. El gobierno de Nixon y el FBI iniciaron una cruzada contra la película y sus creadores. Inside Deep Throat (Dentro de Garganta Profunda) es un documental en el que los directores Randy Barbato y Fenton Bailey nos proponen un viaje a los años 70, a la situación social, cultural y política de los norteamericanos, y al intenso impacto que provocó una película pornográfica, cuyo título llegó incluso a servir de referente al escándalo de Watergate que acabó costando la presidencia a Nixon.
¡Han vuelto! En una película con todo el material que no pudieron incluir en la número dos. Te reirás hasta llorar y desencajar tu mandíbula a medida que Johny Knoxville y los chicos te introducen entre bambalinas con Jackass 2.5, hablando de estas increíbles e inéditas acrobacias, bromas y otros actos aleatorios de malicia y estupidez en unas hilarantes entrevistas nuevas. 90 minutos de metraje extra y de contenidos especiales. Jackass 2.5 es tan insólito, sucio y directamente sexy como sus predecesores, pero a unos niveles que no podrían verse en los cines.
El formato Jackass, donde Johnny Knoxville y sus amigos se someten al peligro de forma voluntaria, se adapta al cine 3D. En su primera semana en USA ha obtenido un enorme éxito de taquilla: nada menos que 50 millones de dólares, la película con mejor entrada del otoño 2010.
Documental sobre la vida actual de antiguas estrellas del porno mundial, sobre como intentan llevar una vida "normal" como la de los demás, así como las consecuencias que ha supuesto para ellos el haber trabajado en un negocio tan peculiar y controvertido.