/gtPREJtIVSOKz1QFHvArv2zIDjo.jpg

Copacabana (2006)

Género : Documental

Tiempo de ejecución : 56M

Director : Martín Rejtman

Sinopsis

The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.

Actores

Tripulaciones

Martín Rejtman
Martín Rejtman
Director

Recomendar películas

Inside Job
A pair of married ex-convicts trying to go straight get jobs at a department store. A gangster who knows about their past threatens to expose it unless they agree to help him rob the department store.
The Sun's Gonna Shine
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.
A Flood in Baath Country
A look at the Baath party's project to construct a system of dams.
The Adventures of Villar
The oldest Greek feature film to be saved, starring a burlesque comedian Sfakianos (or Villar), who had trained in France. Villar gets a job at a dry cleaner’s and wanders through Athens. He makes one gaffe after the other and gets involved in various adventures.
Jit
A young African man must try every trick in the book in this attempts to win the heart of the most beautiful girl in his village.
Rembrandt, Painter of Man
In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.
Shunters
A shunter's job is to slow down, link, and unlink train wagons at a central station. The film documents - without any commentary - the working hours of few shunters at the shunting-station Dresden-Friedrichstadt, which was the largest such station in all of the former German Democratic Republic. They work day and night, amidst snow and fog at the railway tracks, speaking only as much as necessary.
The Open Road
In the summer of 1924 Claude Friese-Greene, a pioneer of colour cinematography, set out from Cornwall with the aim of recording life on the road between Land’s End and John O’Groats. Entitled The Open Road, his remarkable travelogue was conceived as a series of shorts, 26 episodes in all, to be shown weekly at the cinema. The result is a fascinating portrait of inter-war Britain, in which town and country, people and landscapes are captured as never before, in a truly unique and rich colour palette.
Terminal Bar
Un fascinante mosaico de fotografías nos muestra a los clientes habituales del neoyorkino bar Terminal, desde bebedores compulsivos de clase media trabajadora irlandeses hasta afroamericanos gays, quienes continuamente fueron transformando la vida social del barrio durante los diez años de esplendor del Terminal.
The Game
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
The Water Circle
Celebrating the circulation of the waters of the world, this homage to James Broughton's favorite sage Lao-tsu is illustrated by the dance of sunlight on the sea. Accompanying poem (read and written by James Broughton) was composed to the music of Corelli, from his Concerto Grosso No. 9 in A, performed on the harp by Joel Andrews.
Nails
This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.
Toujours moins
Less and Less, Luc Moullet’s 40th film, concerns development and expansion, from 1968 to 2010, of the devices based on computers, automats, interactive terminals and others that can be found everywhere.
Picc Mi
Short directed by Mansour Sora Wade.
Yellow Caesar
Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.
Standard Gauge
Standard Gauge is an autobiographical film that examines Morgan Fisher’s work as an editor in the film industry. The film goes through scraps of rejected material along with commentary on the meaning of all the scrapped images. This film is an account and critique of the processes of meaning within film production through an examination of both materialism and the institution of film itself.
Three Lives
Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.
Gradiva: Esquisse I
The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.
Skagafjördur
A film documenting the landscapes of northern Iceland, as well as a recent work about the Hudson River.
The Moon and the Sledgehammer
The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.