Out & Around (2015)

Un cirujano que ha perdido a su novia en el quirófano enloquece y decide asesinar a todos los estudiantes de medicina que pretenden especializarse en cirugía. No contento con ello, amputará igualmente las manos de sus víctimas, para que así no puedan dañar a su amada, a quien, en su delirio, cree con vida.

A history of Maud's, a San Francisco lesbian bar that stayed open from 1966 to 1989.

Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.

Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.

En el Transiberiano coinciden personajes muy diversos: Lady Windermere (Delphine Seyrig), una nerviosa maestra alemana (Irm Hermann), una joven francesa emancipada (Inés Sastre), unos cantantes de Broadway, la ostentosa reina Ziegfeld Fanny (Gillian Scalici)...

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner

Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.

KNOW YOUR MUSHROOMS follows uber myco visionaries Gary Lincoff and Larry Evans (two of the more expert and unforgettably mercurial characters in the community) as they lead us on a hunt for the wild mushroom and the deeper cultural experiences attached to the mysterious fungi.

Francine is released from prison and settles down in a small town. She is unable to regain a foothold in society and turns to animals for comfort.

Young Chinese-American filmmaker Wei-ming travels from New York to his childhood home on Lamma Island to make a video documentary about the imminent opening of a Disneyland theme park in Hong Kong. While doing research for the project, he meets Larry, a dancer/choreographer.

Four girlfriends reunite for a week of partying on the beach, and it's all sand, sun and margaritas until one of them turns up dead.

Mecha y Ofelia atraviesan una crisis de pareja que estalla con la aparición de una tercera mujer. Mecha intenta soluciones desesperadas pero todas fracasan, de donde empieza a sospechar que su angustia nada tiene que ver con el amor.

Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.

El recuerdo que Ana tiene del día en que su hermana murió es una imagen fragmentada y nebulosa que la ha seguido desde su infancia. Ahora, Ana ha vuelto a Tijuana, su ciudad natal, donde tendrá que enfrentar el dolor y la oscuridad de su memoria. La película tiene una nominación a mejor ópera prima y otra para Sophie Alexander-Katz a mejor actriz en el Ariel 61.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious transsexual lawyer who begins a relationship with a male colleague who is unaware of her condition. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.