Stiffelio (2012)

Adaptación musical de la novela de Victor Hugo "Notre Dame de París", que sigue a la bailarina gitana Esmeralda y a los tres hombres que compiten por su amor.

Un musical en vivo que narra los últimos días de Jesucristo y de quienes lo rodean.

The Met assembled an ideal cast for François Girard’s acclaimed new production of Wagner’s final masterpiece: Jonas Kaufmann in the title role of the fool “made wise by compassion”, René Pape as Gurnemanz, the veteran Knight of the Grail, Katarina Dalayman as Kundry, Peter Mattei is Amfortas, the anguished ruler of the Grail’s kingdom, and Evgeny Nikitin sings the evil magician Klingsor.

The Magic Flute opens with Prince Tamino being rescued from a serpent by Ladies in the employ of the Queen of the Night. Papageno the bird-catcher arrives and claims he killed the serpent, but the outraged Ladies padlock Papageno's mouth for his lie. They also show Tamino a portrait of Princess Pamina, the Queen's kidnapped daughter, and he immediately falls in love. Protected by a golden flute, he sets off with the bird-catcher Papageno to rescue Pamina from the clutches of the sorcerer Sarastro and a madcap adventure involving magicians, wild animals and very Masonic-like trials. Triumphing over all adversity, the lovers unite, as the forces of light banish the darkness and Papageno even finds a true love of his own. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.

Music Director James Levine conducts his first new Met production after a two-year absence: Robert Carsen’s hit staging of Verdi’s great human comedy. Ambrogio Maestri is an ideal Falstaff, leading an extraordinary ensemble cast of veteran and up-and-coming Met stars, including Angela Meade (Alice), Stephanie Blythe (Mistress Quickly), Franco Vasallo (Ford), and Jennifer Johnson Cano (Meg). Lisette Oropesa and Paolo Fanale are the young lovers, Nannetta and Fenton.

Cuando Antonio Pappano, el director musical de la Royal Opera House de Londres, levantó la batuta el 14 de julio de 2011 para dirigir “Tosca” de Puccini, el público sabía que se acercaba una velada muy especial. Tres superestrellas se unieron en el escenario por primera vez y encarnaron los papeles principales del famoso drama musical: Angela Gheorghiu en el papel principal, Jonas Kaufmann como Cavaradossi y Bryn Terfel como Scarpia. "Tres elementos poderosos crean una química explosiva", escribió The Times, refiriéndose a los tres personajes principales, cuya red emocional de amor, odio, pasión y celos impulsa el drama Tosca en el contexto de las guerras napoleónicas. Angela Gheorghiu se movió vocal y dramáticamente en un cosmos de matices de expresión: "expresó la vulnerabilidad de Tosca con una poesía lírica de luz plateada, pero luego cambió a gutural-animal cuando se paró sobre el cadáver de Scarpia", continúa el Times.

Renée Fleming stars in the title role of one of Handel’s greatest dramas, seen in Stephen Wadsworth’s 2004 Met premiere production. Rodelinda is faced with an impossible dilemma: With her husband Bertarido believed dead, she either has to marry the despised Grimoaldo (the elegant Joseph Kaiser), who has usurped her husband’s throne, or see him murder her son. But Bertarido (leading countertenor Andreas Scholl) is alive and eventually reclaims both throne and wife—and makes peace with his enemies. Stephanie Blythe is marvelous as Eduige, Bertarido’s sister, who is betrothed to Grimoaldo but turns against him. Baroque authority Harry Bicket conducts.

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.

2013 revival of Andrei Serban's 1984 production. Recorded live at the Royal Opera House, September 2013. Andrei Serban's spectacular and thrilling 1984 production of Puccini's final and grandest opera has long been a classic at the Royal Opera House. First filmed for BBC TV in the 80s, this new recording – of its fifteenth revival – is in stunning HD and makes this famous production available for the first time on DVD and Blu-ray. The release will rightfully take its place alongside the outstanding Royal Opera Puccini DVDs of La Bohème, Tosca (on EMI) and Trittico. American Lise Lindstrom is one of the very few contemporary Turandots who can genuinely sing this ‘killer’ role, and is supported by a touching Liù from Japanese soprano Eri Nakamura and an unashamedly Italianite Calaf from Marco Berti. The young Hungarian conductor Henrik Nánási directs the large orchestra and all-important chorus.

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Family jealousy, threat of rebellion, political back-stabbing and the Inquisition weigh heavy on the court of King Phillip II. The tension finally ignites at the King's coronation, where a number of heretics are to be burnt at the stake.

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.