My Submissive Secretary (2016)

Lee Holloway tiene el peor de los currículum cuando decide solicitar un empleo de secretaria en el bufete de abogados de E. Edward Grey. Basta con decir que acaba de salir de una institución psiquiátrica y que, tan sólo un día después de volver a estar con su disfuncional familia de barrio periférico, ha recaído ya en su hábito secreto e inconfesable. Pese a que nunca en su vida ha tenido trabajo, Lee resulta finalmente contratada por el Sr. Grey, un misterioso abogado. Al principio el trabajo parece normal: mecanografiar cartas, archivar documentos y hacer el café; pero Lee y el Sr. Grey no tardan en embarcarse en una relación mucho más estrecha e íntima; una relación que haría sonrojar a cualquier jefe de personal.

Petra von Kant, una diseñadora de moda que acaba de separarse de su marido, vive con su secretaria-esclava Marlene (personaje simbólicamente mudo). Cuando su amiga y confidente Sidonie le presenta a Karin, una joven de origen humilde, se enamora locamente de ella y le promete que va a convertirla en una famosa modelo. Sin embargo, Karin la abandona poco tiempo después para irse con su marido que, después de un viaje, acaba de volver a Frankfurt. Petra cae entonces en una profunda depresión.

Emma Lloyd (Uma Thurman) es una periodista que ha triunfado gracias a su sensibilidad, madurez y gran conocimiento sobre las relaciones amorosas. Tiene un programa de radio puntero, un contrato millonario para escribir un libro y una sólida relación con su novio Richard (Colin Firth). Durante los preparativos de la boda, Emma descubre estupefacta que no se puede casar porque ya está casada. Y además con un hombre al que no conoce de nada: un bombero (Jeffrey Dean Morgan) que no está dispuesto a facilitarle las cosas para conseguir la nulidad matrimonial.

Cínico y despiadado retrato de dos machistas recalcitrantes que sólo piensan en vengarse emocionalmente de las mujeres.

Society girl becomes a social secretary when her father dies penniless. From a story by Charles Brackett.

Paul Reynolds is a Gatsby-like figure: owner of a magnificent house, the host of great parties, and a collector of interesting people. He persuades Lizzie Thomas, a secretary at a local estate agent's, to come and work for him as his assistant, to bring some order to his chaos. He inspires her with his enthusiasm and imagination, and frustrates her with his apparent carelessness and destructiveness, which culminates in her calling the police as one of his parties is attacked by local troublemakers, seemingly with his tacit approval. But their paths are destined to cross again and again as Lizzie, with the help of some of the people that she met at Paul's house, rises through the changing landscape of corporate Britain. This is the tale of a meaningful and powerful relationship that isn't a love story; it's about those rare people who profoundly influence and shape our lives.

A righteous party's committee secretary raises his voice against local politician in order to obtain recognition on workers' behalf regarding construction of the sports center.

Singer/Dancer Peggy Ryan neither sings nor dances in this comedy in which she plays a secretary, whose life has no romance because she devotes all of her time to her attractive older sister. But she does keep a diary that contains some fact and many fictional entries. One such is read by the wife of her boss who promptly sues for a divorce. Virginia Grey stars in a musical produced by Hall and sings (possibly dubbed) "Makin' a Million" and "Keep Your Chin Up." No spoiler to add that Ryan gets a boyfriend and Hall and Allbritton are reunited before this one runs it course.

A jealous wife kidnaps her cheating husband and his young secretary and holds them hostage in an isolated house in the desert; but divorce is the furthest thing from her mind.

When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.

Joseph Greer is a wealthy businessman in New York City with all the trappings including a prim-and-proper secretary, Jenny McFarlan, who takes dictation during working hours and, at night, minus her eyeglasses, serves as his nightclub companion and mistress. Then his daughter,Beatrice, whom he has never seen, shows up and moves in with him. Beatrice is a grown-up flapper who loves jazz, pool parties, flaunting prohibition and carrying-on in general. Most of her carrying-on is with the family chauffeur and her father does not approve, says so, and fires the chauffeur. His parental-guidance technique backfires as Beatrice ups and elopes with the chauffeur. Later, the father has some problems with his business associates and loses his business and most of his fixtures and disappears. But Beatrice locates him and there is a happy reunion between father and daughter, especially since daughter has brought along Jenny to cheer him up.

A Finnish comedy from the 1950's, and a remake of director Valentin Vaala's earlier film The Substitute Husband (1936).

Before an office complex is set to be demolished, it expresses one last wish: a love story. It centers around desire, security, and a melody that runs through the entire fabric of the building. So when darkness descends and everything falls silent, the routine lives of those within its walls sparkle like stars, paving the way for intimate chance encounters and absurd humor to unfold. A nocturnal kaleidoscope of longing, loneliness and freedom.

Una mujer, profesora de piano en un conservatorio, frecuenta cines porno y tiendas de sexo para escapar de la influencia de su dominante madre. Uno de sus alumnos se propone seducirla.

Tras sufrir un grave accidente de tráfico, Dan Merrick padece amnesia y no es capaz de recordar nada de su pasado. Ni siquiera se acuerda de su esposa Judith, que se esfuerza por ayudarlo a superar la situación. Sin embargo, Dan se muestra tan suspicaz que llega a sospechar que todos los que lo rodean están implicados en una oscura trama. Por esta razón, decide contratar a un investigador privado para que le ayude a desentrañar el enigma.

Una secretaria coge el coche de su jefe para sus vacaciones por el Mediterráneo. El viaje se complicará cuando un cuerpo aparezca en el maletero...

Lily (Miriam Hopkins), una carterista que se hace pasar por condesa, conoce en Venecia al famoso ladrón Gaston Monescu (Herbert Marshall), quien a su vez se hace pasar por barón, y se enamoran. Gaston roba al aristócrata François Fileba y huye con Lily antes de que le descubran. Casi un año después, en París, Gaston roba un bolso con diamantes incrustados a la viuda Mariette Colet, pero se lo devuelve y la cautiva de tal forma que lo contrata como secretario.

Una joven secretaria, tras cometer un robo, se marcha de la ciudad y conduce durante horas, parando para descansar en un pequeño motel de carretera regentado por un joven llamado Norman. Todo parece normal y tranquilo en el apartado motel y en la casa de al lado en la que viven Norman y su madre pero, mientras está en la ducha, la joven es asesinada salvajemente a cuchilladas.