The Pier (1969)
Género :
Tiempo de ejecución : 1H 32M
Director : Wojciech Solarz
Sinopsis
After completing a project, a shipbuilder grows restless and travels the country on his motorcycle. He leaves behind his wife, a woman of virtue and responsibility, as he goes off on his amorous drunken escapades. He is part of a lost generation whose economic and vocational prospects have been severely limited in the decades following World War II. His summer cabin on the Baltic beach is torn apart by drunken revelers to feed a bonfire in this brooding and often depressing film.
In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.
El Dr. Caronte y su grupo de científicos locos construyen una bomba de neutrones con la que intentan chantajear al mundo libre para obtener el poder global. Pero aparece el héroe, Neutrón, que, con ayuda del Dr. Thomas y la reportera Nora, echan a perder tales planes.
Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.
Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.
A modest and plain young Małgorzata leads a very boring life as a cashier. One day a robber riddles her bank car with bullets, kills driver and two security guards and takes the money. The police finds out that the stolen banknotes are being spent at a fashionable spa resort. The only way to find the criminal is to favor Małgorzata with a seaside holiday in the company of a handsome Captain as her "brother"...
A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.
Adventures of Adam Cisowski - very smart boy- who is looking a big treasure hidden by Napoleon's Soldier in XIX century. But he is not only person who is looking a treasure. His rivals are very dangerous.
The young couple love each other. The boy is in constant work which will fit him, and in the end becomes a petty thief who cannot pay his debts anymore and decides to steal from homes where he pays scheduled visits to lonely housewifes. The girl works a nurse but is too sensitive in extreme cases. Running parallel to their story is a metaphor involving a castaway on a junkyard, who tries every means possible to get rid of the dog which becomes attached to him. In the end he attaches sticks of dynamite to the dog, but he breaks loose and the explosion wipes them both.
A shy student falls in love and is involved in a kidnapping plot.
Three short segments about love.
Staying at a fancy resort, Wladyslawa Majewska is mistaken as a male guest when she is dressed in a skiing outfit. The manager offers her, thinking she is a he, a job as a dancer to entertain the unescorted ladies who frequent the hotel. Wladyslawa goes along with the offer, and keeps the old ladies dancing but falls in love with the best-looking male guest in the process, who thinks she is a man.
Polish comedian Adolf Dymsza cross-dressing and masquerading as a woman in order to gain the confidence of his sweetheart's domineering guardian.
A look at show-business through the lives of cabaret dancing girls Teresa and Linka. When their theatre is closed down, they have to move to a small town. But it turns out that one of them is pregnant and the baby's father is her ex-boss.
Tres segmentos ("La cruz del valor", "El perro" y "La viuda") alrededor de la Segunda Guerra Mundial y sus efectos en la gente corriente.
Rumsza, the elderly railwayman, leading a sedate life with his wife, misses his only remaining son (two older boys were killed in the war). Joziuk finally returns from the military in the first scene but with the pregnant Zosia, while Rumsza expected him to marry Celinka, the daughter of Krywka, his only friend and neighbour. The hero will not accept the new situation; he throws his son and Zosia out of his house. Celinka is distressed but she still harbours hope for Joziuk. The birth of the child changes the situation: Rumsza accepts his son's relationship but Celinka decides to leave.
Freed Polish soldiers are trapped in a small town in Germany during the last days of World War II. After a doctor's daughter is raped by a concentration camp worker, the Poles allow her and her father to stay in the house that is their temporary quarters. While waiting to be repatriated, the war-weary group is forced to fight some German soldiers who invade the town. The war brings out conflicting emotions of the Poles who find themselves trapped in the house and once again under fire from the enemy.
A group of people find themselves stuck in remote train station in German-occupied Poland. A drunk German station guard there gets paranoid and sees partisans all around him, phones headquarters, and when the German soldiers arrive and search the station they find a gun. They then threaten to execute every fifth person unless someone claims it.
Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.
Both have the name Jadzia, besides the name they are also connected by a tennis racket. Jędruszewska is a champion of tennis courts, Maliczówna is an extremely charismatic owner of a sports store. Meanwhile, there is a fierce battle between two competing Warsaw companies selling sports equipment. The convergence of names and misunderstandings cause that the representative of the rival sports shop Jan Oksza confuses Jada. He tries to get the tennis champion to play their company's racket, but Jan takes Maliczówna for the champion. In the meantime, he acts as a sculptor, his friend. Among the gags and numerous misunderstandings between Jadzia Maliczówna and Jan Oksza germinate the feeling that eventually connects the two feuding companies.
The inability of a truck driver to relate to normal life after an accident for which he feels himself responsible.