Nader (Peyman Moaadi) y Simin (Leila Hatami) son un matrimonio iraní con una hija. Simin quiere abandonar Irán en busca de una vida mejor, pero Nader, que desea quedarse para cuidar a su padre, que tiene Alzheimer, le pide el divorcio. Como no lo consigue, se muda a vivir con sus padres y contrata a una mujer para que le ayude a cuidar a su padre. Un día, al llegar a casa, encuentra al anciano atado a la cama; a partir de ese momento, su vida dará un vuelco.
Dos personas entran en conflicto a causa de la propiedad de una casa en el norte de California. Para Kathy Nicolo, es no sólo la casa de su infancia, sino también la última esperanza que le queda para reintegrarse a una vida que casi pierde por su adicción a las drogas. Cuando recibe una orden de desahucio por impago de impuestos, se queda en la calle y no puede impedir que la casa sea vendida a un precio irrisorio. Para el nuevo propietario, Massoud Amir Behrani, la casa es la plasmación del sueño americano que lleva persiguiendo desde que salió de Irán con toda su familia. Antiguo coronel de las Fuerzas Aéreas iraníes, Behrani se ha visto obligado a trabajar en empleos muy modestos para poder mantener las apariencias. Ahora ha invertido hasta el último céntimo en la compra de la casa que, por fin, devolverá a su familia su antigua prosperidad.
En la ciudad iraní de Bad City puede pasar cualquier cosa. En medio de un abanico de personajes marginales, un vampiro vaga en busca de sangre. Al western vampírico se le suma un romance teñido de sangre. A Girl Walks Home Alone at Night combina géneros y estilos: invoca el western, la fascinación propia de Lynch, el terror y las novelas gráficas. (FILMAFFINITY)
Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.
A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Bahman, Mahtab, Ramin and Donya Mehdipour are enjoying a perfect summer in a small Finnish town. Their routines are fractured by a negative decision on their application for asylum by the Finnish Immigration Service. But life must go on and the 13-year-old Ramin is about to enter an entirely new school, junior high. The Mehdipours use their last chance to appeal but continue their everyday lives, fuelled by their exceptionally positive outlook and attitude.
Shirin , una mujer joven, tiene solo un día para ganar mucho dinero rápido, con el fin de reparar el auto de su padre que se dañó en un accidente. Se hace amiga de un joven ingenuo llamado Mohammad ( Saber Abar ) que intenta ayudarla a recaudar dinero entrando en un edificio de apartamentos e instalando antenas parabólicas ilegales para los diversos residentes con puntos de vista divergentes sobre los medios, cuando se meten en más problemas.
The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.
The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab
Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?
A young man steals a smuggler's goods and tries to sell them in a trip with his beloved to the border.
A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.
Apenas unas horas después de su boda, Amir, un muchacho del sur de Teherán, recibe una llamada de su amigo más cercano, Habib, quien insiste en reunirse con él para hablar sobre un asunto urgente. Se apresura al lugar de trabajo de Habib y allí escucha la afirmación devastadora de Habib de que su futura esposa no es la niña sexualmente inocente que él creía. En una mezcla de rabia y desconcierto, él lleva a la novia al lugar de la boda y luego se marcha para revelar la verdad sobre su pasado.
It is about life of a young couple who want to migrate from their country. But the arrival of Nazli makes problems...
Ata and Masoumeh are living in a rented house. Their lease time is over and they can not pay the rent added. But they like to stay and live in this house...
Cuando la torre se queda sola y no hay pieza alguna para ayudarla. Cuando ya ha perdido toda la esperanza para la victoria y está cansada, elige la última solución: se destruye a sí misma para que el juego termine en empate hasta que, por fin, recibe el tiro de gracia. En ajedrez llaman a esta situación la Torre Suicida. Tiene otro nombre que el protagonista de esta película asume plenamente: La Torre Loca.
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...
A newly released prisoner and an ostensibly rich youth become aware of the place of Tsar's long lost treasure by a twist of fate.
In the tenth year of marriage, Babak and Manizheh face the biggest challenge of their life. Financial problems and difficult social situation cause Babak to work very hard and this leads to a deep gap between him and his wife, in a way that Manizheh starts a new relation, the relation which leads her to addiction and immorality. On the verge of her complete collapse, she wakes up to the truth that she has lost her life.
