Les fantômes du samedi soir (1997)
Género :
Tiempo de ejecución : 12M
Director : Olivier Dahan
Sinopsis
French short film
A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.
A beautiful young pianist falls for her mentor.
Young Chinese-American filmmaker Wei-ming travels from New York to his childhood home on Lamma Island to make a video documentary about the imminent opening of a Disneyland theme park in Hong Kong. While doing research for the project, he meets Larry, a dancer/choreographer.
Georgette y Maurice, una joven pareja dedicada al baile, flirtean constantemente. Un día acude a su apartamento el doctor Paul Giraud, que está enfadado con Maurice, pues cree que intenta atraer a su esposa Suzanne. Reconoce en Georgette a una antigua novia y se inventa una historia estrafalaria para ocultarle a Suzanne su flirteo con Georgette... A su vez, Maurice inicia otro flirteo con Suzanne y le cuenta a ésta la relación de su marido con Georgette.
This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.
Cuenta la historia de Nadav, de 13 años, que se enamora de su atractiva tía Nina. Como si ser adolescente no fuera suficiente, Nadav tiene que hacer frente a su familia rota, al divorcio de sus padres, su padre moribundo y su temperamental madre, así como al haberse encaprichado de Nina... que tiene sus propios problemas que resolver. Catalogada como una "comedia muy triste", "Las tragedias de Nina" ganó 11 Premios (un récord) de la Academia de Cine Israelí y fue la candidata Israelí a la Mejor Película Extranjera a los Oscar.
A documentary on the life and music of manic-depressive, paranoid-schizophrenic cult music icon Wild Man Fischer.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
Emma sufre un terrible accidente de tráfico, que afecta gravemente a su cerebro, por lo que debe recibir atención psiquiátrica. Cuando regresa a casa, su carácter se ha vuelto tan agresivo, provoca tantas discusiones que sus padres deciden lrse de vacaciones. La idea de que la dejen desencadena en ella una furia tan salvaje que acaba asesinando a los que la rodean.
Alice, fired from her job on an assembly line, leaves her boyfriend and provincial home for an uncertain new life in Lyon. There she encounters Bruno, a construction worker who's just been dumped and is severely depressed. Romantic possibilities ensue.
Claude Berri, who usually participates in films by directing them, here returns to the screen as Stan, an over-the-hill lothario, much given to quoting Shakespeare, who occasionally goes around naked under his raincoat and exposes himself to strangers, who are usually not interested in his primitive display of genitalia. It also appears that he is unable to sexually satisfy his much younger lover, and he suspects her of having another boyfriend. He earns his living tutoring students (mostly young girls) in English literature. When, in his frustration, he gropes one of the girls in her home during a tutoring session, she protests, her father (who is at home) beats him up, and he is sentenced to a jail term. There, he is teamed up with a slightly loopy murderer. When he gets out of jail, he finds his girlfriend has left for good, and ends his life.
Iskyss is a strong and poetic love story based on Gunvor Galtung Haavik’s double life through 30 years. During the Cold War, she was employed by the Norwegian Ministry of Foreign Affairs, and assigned to the Norwegian Embassy in Moscow. With the information she had access to in the capacity of her position as interpreter and secretary, she frequently fed the KGB secret information.
A Texas oil driller schemes to steal millions of dollars in oil.
Un cirujano que ha perdido a su novia en el quirófano enloquece y decide asesinar a todos los estudiantes de medicina que pretenden especializarse en cirugía. No contento con ello, amputará igualmente las manos de sus víctimas, para que así no puedan dañar a su amada, a quien, en su delirio, cree con vida.
If ever there was an album worthy of inclusion in Eagle Vision’s Classic Albums series it is Queen’s breakout release A Night At The Opera. Released in 1975, this was not only the band’s first platinum album, but also the one that catapulted them into the spotlight as one of the biggest rock acts in the world. Now for the first time, fans are offered an in-depth look at one of rock music’s seminal records with the Classic Albums DVD Queen — The Making Of A Night At The Opera.
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival.
Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies. It is true that Baptiste has a rather unstable troupe that rehearses horror plays in a dance hall. Sarah comes out of the wings for life, but it turns out to be as incongruous and phantasmagorical as her husband's plays. This is why she returns to him. "The real grand guignol is life. The other is the farce."
Artist/writer/director/producer Siegfried follows a street hustler/artist Sansa who makes his way from Paris to Russia using his street smarts. Sansa is charming and careless, living the bohemian life. His encounters are numerous, mostly with feminine characters, until he gets attached to an old and eccentric orchestra conductor who becomes a kind of father figure.
Short documentary by Gaspar Noé filmed around the the same time as Irréversible (in 16mm Scope), in which his friend Stéphane Drouot - director of the cult film Star Suburb - discusses life with AIDS and his struggles to make films.