Kommen Rührgeräte in den Himmel? (2016)

Año 1989, el muro de Berlín está a punto de caer. Un agente del MI6 encubierto aparece muerto y la espía Lorraine Broughton (Charlize Theron) debe encontrar por todos los medios una lista que el agente estaba intentando hacer llegar a Occidente, y en la que figuran los nombres de todos los agentes encubiertos que trabajan en Berlín oriental. Lorraine no se detendrá ante nada para conseguir dar con esa lista, enfrentándose a varios asesinos y sumergiéndose en un mundo en el que nadie parece ser quien dice ser.

13 de agosto de 1961: Los pasajeros del tren interzonal de Múnich a Berlín Oriental aprenden tres horas y media antes de cruzar la frontera que se está construyendo el Muro en Berlín. Tienen 3 horas y media para tomar una decisión que les cambiará la vida: bajarse del tren o seguir adelante.

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

Jonas and Ines are in love and want to spend their vacation together camping on the Baltic coast. But Ines’s narrow-minded parents intervene and insist that the young couple joins the family vacation. Problems arise, so everyone ends up traveling to the Bulgarian Black Sea on their own. Along the way, Jonas meets a beautiful Dutch girl who is going to India via Turkey…

The famous actor Ralf Horricht is a pain in his current director's butt while shooting a comedy about the army. So Horricht believes it a joke, when he receives an induction-order as reserve-officer... but the captain tries his best to make him realize this is no laughing matter.

End of the 1970s in East Germany: Fred and Jonas are close friends. The 10-year-olds live near at the German-German frontier. After the mother from Jonas has made an exit application, the boys have to recognize that they are soon separated from each other. But they want to dig a tunnel to Australia to meet there themselves again. When Jonas should leave the country with his mother this night changes everything.

Frank, a tenth grade student, falls in love with his classmate Regine. His father is a well-connected plant manager in the GDR; Regine's mother is a single parent with four children. Regine wants to become a kindergarten teacher, but her grades are poor and she is not allowed to apply for technical college. Frank champions her and seeks an open discussion about these rigid regulations. But his criticism is nipped in the bud.

Documentary (in colour) about the first youth meeting (Deutschlandtreffen der Jugend) in East Berlin in 1950.

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.