Still Light (1971)

Landscape and desire. Details from the Greek island of Hydra, a figure, a study in light and place and the act of creation. The first half of the film explores delicate nuances of lighting, colour and depth as Beavers shoots the face of a young man in various locales on the Greek island of Hydra, using a variety of customized masks and filters. The man’s face remains constant throughout, surrounded by iconic elements in the landscape, like a pulsating Renaissance portrait. Still Light brings to mind any number of structuralist binarisms: youth and age, creation and criticism, action and reflection, living landscape and mummified text. (Ed Halter, New York Press).