Prayers to the Gods of Guerrilla Filmmaking (2019)
Género : Documental
Tiempo de ejecución : 2H 1M
Director : Johanna Taylor
Sinopsis
A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
A Bigfoot-type creature befriends Paul, a young student. His father is a park ranger trying to capture an escaped tiger. Everyone in town is on edge and wants the tiger killed. David tries to keep Bigfoot a secret.
Aspiring models in a Soho photo studio, aiming for the centerfold, are getting molested, tortured and killed by a mysterious perpetrator, who hides its identity by wearing a cloth bag over its head.
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.
A beat vagabond traverses San Francisco's deepest nooks and crannies, spreading about a peculiar brand of wisdom and lollygagging.
In her film debut, Bette Midler portrays the Virgin Mary in a biting satire of the commercialization of religion.
When small-town newspaper journalist Kevin learns of his predecessor's horrific death, he's surprised to find the cops aren't investigating the murder. Helped by the dead man's attractive girlfriend, Kevin starts digging for information -- and soon finds himself caught up in a world he never imagined.
Undercover cop Lok Hwa takes two years to become the trusted lieutenant of rising Hong Kong drug lord, Feng. The night of the big bust, Feng's flaming car crashes spectacularly into the sea; Feng is presumed dead. Hwa returns to the force and to June, his patient girl friend. Also, to save Feng's lover Yung from a life of crime, Hwa gives her his pager number and promises to be there for her. A year later, Feng reappears, asking Hwa's aid with one last task before he returns to the mainland forever. Feeling sentimental, Hwa agrees to help and finds himself set up to take the fall in a drug war. June is in danger, too, and death awaits as Yung realizes it's Hwa she loves.
Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.
"Bulldog in the Whitehouse" takes political satire to obscene new heights: portraying the Bush administration as a cabal of lustful and traitorous gay men who are too busy having sex to notice the empire crumbling down around them. An explosive and darkly comic adaptation of Choderlos de Laclos' novel Dangerous Liaisons, the film's web of sex and deceit centers on Bulldog, a hustler who seduces his way into the Washington press corps to gain access to the halls of the political elite. At the bidding of his puppet master, a corpulent and power mad Karl Rove, Bulldog engages in manipulative trysts with Whitehouse hotties like the demure press secretary, the religious leader and the confused, imbecilic good ol' boy president himself.
Synopsis: When a young Gothic fashion model arrives for a photo shoot at a seemingly empty studio, she doesn't realize she is being drawn into an evil plan.
Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.
Akira Kurosawa: The Epic and the Intimate is a French documentary film that consists primarily of interviews with Kurosawa’s European collaborators from the time of the making of Ran, with footage from the film interspersed between the talking heads.
In a small town, a writer and a local man unite to find out what happened to their missing relatives.
In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.
Taylor, a successful professional, is suffocating under the loneliness of being around millions of people. But a ray of light comes from encountering a stranger.
Yan Chi Yung (Chin Siu Ho) joins his fellow triad member Chu Chi Ang (Norman Tsui) in ripping off millions in gambling profits from their underworld boss Tai (Chen Kuan Tai), returning most of it after taking some for themselves. Meanwhile, a sexy gambler named Ice Chan (Ellen Chan), whose father was murdered by Tai several years before, arrives from America looking for revenge. She tries to infiltrate Tai's organization by seducing Yan, but really falls for him and fails in her attempt to assassinate Tai behind his back. More trickery and double-crosses follow as Tai tries to get Yan and Chu to help him rip off another gambler, only to have his plans thwarted by a turncoat within his own gang.
Un ministro recién designado y un par de hombres de su confianza reclutan a los mejores comandos para conformar un grupo de Operaciones Especiales con el fin de desbaratar una organización criminal. Con reportes de Inteligencia, el cuerpo antidrogas emprende una serie de operaciones de precisión, golpeando sorpresivamente a los narcos.
Jennifer and Bob have recently started dating, and Jennifer's psychological problems blur the lines between love, sex, and hate in their relationship.
When a 15th century demon is unleashed on a house full of women, he won't stop until he has destroyed them all.