Filmfarsi (2019)
Género : Documental
Tiempo de ejecución : 1H 24M
Director : Ehsan Khoshbakht
Escritor : Ehsan Khoshbakht
Sinopsis
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and of the strong, shining beacon inviting us to ascend. This is a story, a history of the events that led up to our conquest of space, and the consequences throughout wider humanity. The film is a collage. Of genres, documentary and comedy. Of media, drawing from painting and film. Of films, cannibalising all film history. Of truth, both objective and subjective. Watch the small steps and let your mind take a giant leap.
The true story behind one the of most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
Una provocadora y poética exploración de cómo el pueblo británico ha visto su propia tierra a través de más de un siglo de cine. Un viaje alucinado de inmensa belleza y brutalidad. Un ensayo caleidoscópico sobre cómo la magia y la locura han unido al ser humano con la naturaleza desde el principio de los tiempos.
Marjane Satrapi (Gabrielle Lopes) es una niña iraní de 8 años que sueña con ser profeta para salvar el mundo. Querida por sus padres y adorada por su abuela, Marjane sigue atenta los acontecimientos que provocan la caída del Shah y de su régimen brutal para dejar paso a una República Islámica que controla la manera de vestir y de actuar de la gente. Ésto provoca que Marjane se vea obligada a llevar velo, lo que la anima a convertirse en una revolucionaria.
Documental sobre el fraude y las falsificaciones que se centra en la figura del falsificador Elmyr de Hory y su biógrafo, Clifford Irving, autor también escribió la fraudulenta biografía de Howard Hughes. Asimismo relata la reclusión de Hughes y la carrera de Welles, que comenzó con la emisión radiofónica de una falsa invasión marciana: "The War of the Worlds".
A mother of three leaves the children at home to spend a month in Paris on her own. She re-reads “The Second Sex” by Simone de Beauvoir, a book she loved when she was young.
George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)
Tomando como punto central las vivencias de Juliette, una mujer casada y con dos hijos que trabaja como ama de casa de día y prostituta por la noche, Godard realiza una especie de documental dramatizado sobre las vidas, las sensaciones, los personajes y los caracteres que pueblan el llamado nuevo París de los años 60.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
"Land of Dreams" - When the daughter Johanna is born in 1983, Jan Troell tells the story about his childhood Sweden and how things were when he grow-up in the land of fairy tales and potential prosperity.
Following an act of vandalism, the Palestinian filmmaker's father decides to install a surveillance camera to record the scenes unfolding in front of the house. Everyday family life, or neighbours going to work, Unusual Summer captures fleeting moments of poetry whereas, in the background, the daily choreography of Ramla, located in today's Israël, comes to the surface.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
Veinticinco cineastas, uno por cada estado de la Unión Europea, realizaron una película sobre sus respectivos países. Todas tenían el mismo presupuesto, debían estar ambientadas en el presente o en un futuro inmediato y durar cinco minutos. No había otras limitaciones, de modo que los autores tenían plena libertad para expresarse. Entre los directores figuran tanto nombres consagrados como voces nuevas dentro del panorama cinematográfico. Cada corto tiene su propia identidad, por lo que es posible establecer comparaciones fascinantes; pero, además, juntos ofrecen una imagen global de la Comunidad Europea a través de la fusión de esas distintas visiones conceptuales y creativas.