La declaración de los objetos (2017)

Un director europeo está haciendo una película con niños de un centro social de Tanger. Debido a sus métodos, su relación con los chicos duranrte el rodahe, degenera y transforma la evolución del proyecto.

Marineros gallegos trabajan en un ferry entre la ciudad danesa de Romo y la isla alemana de Sylt. Uno de ellos compra una videocámara y comienza a grabar su vida cotidiana y la de sus compañeros en innumerables travesías.

The story of Kaspar Hauser, who grew up in dark isolation from humanity, it is provided by a Gallician artist with a radical experimental adaptation that aims to be nothing less than a religious message. Black & white 16mm, without the language of reason, eye to eye with the primaeval puzzle. The story of Kaspar Hauser, the German 'wild child' who grew up for 16 years in silence and virtually in the dark in a stable with only a wooden horse as company, remains fascinating, also for filmmakers.

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?

Piedad has lived big part her life in Leiroso, a small village of the Bierzo, isolated of the urban world in company of her husband. Both decided to remain in the village, still when their children and neighbours were abandoning the place. At the age of 76, appears the Alzheimer in the life of Piedad, her husband died does some time, converting like this in the only inhabitant of the place but still like this, the option to go of there was not something that had in mind. The advance of the illness motivates that Amadeo, her younger son, take the decision to carry to his mother to live with him and his family to the city of A Coruña (Galicia, NW of Spain).

Tradition and performance show us the physical relationship between man and animal when in combat.

Taking the elegance and poetic power of the sea as main elements, Andrade subverts the role traditionally imposed on women. From observed objects to subjects that open their eyes to forgotten realities. Images that, when fading out, reflect a world whose sensitivity is mutating. Scenes of a dreamlike quality that borders surrealism so as to show the new order of things.

"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal journey across times and space. Through travel, photographs, letters, and phone calls he explores the unpredictable ways in which immigration creates both bonds and distance between people and places. "Bs.As." received various awards including the Premio Foco Galicia (Tui, 2007).

Hyohakusha is a lyrical trip to Japan, passing through Galicia (magic land in the northwest of Spain). Two women filmmakers recover twenty forgotten rolls of Super8 that showed the journey of two Galicians to different places of Japan in 1973, and with this material, and the reflections and emotions of his owner watching the rolls for the first time (the son of the travelers) with her wife, that is Japanish and could not know her father in law that died soon after that trip, these two filmmakers give birth to a new story seeking suggestive relations between the two countries (half of the film is filmed by them in Galicia, also in Super8). This filmmakers during the process of making this film are reading a book of haikus of Basho, that wrote in his lyrical diary "Oku no Oshomichi" about the beauty of some of the places where this Galician couple went to visit in their trip to Japan many centuries later. So some passages of this travelogue are included too.

Made by ten directors in Pontevedra, Galicia.

“La revolución es un juego al que uno se entrega por el placer que entraña. Su dinámica es la de la furia subjetiva de vivir, no la del altruismo”. Casi medio siglo después, pocas cosas parecen tan lejanas en el tiempo como la Internacional Situacionista y su idea de deconstruir la izquierda. Sin embargo, el actual naufragio europeo expone más que nunca la necesidad de nuevos modos de resistencia frente a las estrategias del mal y su atroz avance.

"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)

Elaborada y llena de rigor, una narración que adapta libremente un relato de Chejov desarrollando su estructura en tres partes bien diferenciadas y medidas. En cada una de ellas asistiremos a una de las fases de la creación del propio proyecto, partiendo de la lectura del texto que lo inspira hasta alcanzar el resultado de la ficción final, evidenciando por el camino las huellas del proceso creativo. [CGAI]