El pericón nacional (1909)
Género : Documental
Tiempo de ejecución : 4M
Director : Max Glücksmann
Sinopsis
Documentary footage of folk-dancers.
Documental sobre Vladimir Putin que sigue una trama que conduce directamente a la Casa Blanca y expone una historia de 30 años de guerra política encubierta.
Durante el octubre de 1994, tres estudiantes de cine en el Montgomery College, Heather Donahue, Joshua Leonard y Michael Williams realizaron la propuesta de crear un proyecto para presentarla en la clase de cine, el proyecto llamado por Heather "El Proyecto de la Bruja de Blair" contaba de entrevistas con los residentes del pueblo de Burkittsville, Maryland, sobre la bruja local.
With a lifelong mission to put soca music on the international map, Machel Montano has pioneered the evolution of the genre throughout his 34-year career.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
This unprecedented and exclusive insider's account by filmmaker James Hanlon and Gedeon and Jules Naudet of the World TradeCenter attack, which contains the only known footage of the first plane striking the World Trade Center and the only footage from inside Ground Zero during the attacks, will also include footage from events marking the 10th anniversary, as well as new interviews with many of the firefighters who were featured in the original program. They will discuss how their lives, families and the world have changed in the 10 years since the tragedy - some for better, some for worse. Viewers will also hear from New York City Fire Department health officials as they discuss some of the health issues that have plagued firefighters working at Ground Zero.
A young man slowly realizes that he has become the chosen target of an ominous supernatural presence. As he scrambles to stop it, he realizes there is more to this haunting than meets the eye.
Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.
Scenes from the Big Chair is a documentary film about the British pop band Tears For Fears. Released on home video in 1985, the 75 minute documentary was made at the height of the band's global success following the release of their multi-platinum selling album Songs from the Big Chair. It also contains the 90 minute "Going To California" concert which was recorded in Santa Barbara during the band's "Seeds Of Love" world tour in 1990.
From assembled security camera footage we witness the tragedy of Flight 780 where passengers and crew descend into madness after experiencing strange atmospheric conditions as they suspect a hidden, horrific presence may now be on board.
Exclusively utilizing footage from other Egyptian films that use the pyramids as backdrop, Domestic Tourism II explores the ways in which these iconic historical monuments can be reappropriated from the “timelessness” of the tourist postcard and reinscribed into the complex political, social, and historical moment in urban narratives.
Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.