Curry Cream Pie (2006)
Género :
Tiempo de ejecución : 2H 8M
Sinopsis
Directly from the ball-busting backstreets of Calcutta and Bangladesh. Watch these sweet & spicy girls lose their innocence forever, as they realize that they love nothing better than sucking cock and getting their steaming pussies pounded white ghetto style. There's no turning back now, this is some of the hottest cream pie footage ever caught on film.
Hrundi V. Bakshi es un patoso actor de origen hindú que se encuentra rodadando una película en el desierto. Sus continuas meteduras de pata le llevan a ser despedido del rodaje. Curiosamente recibe la invitación a una fiesta organizada por el productor de su última película. En la fiesta todos parecen felices, pero Hrundi no conoce a nadie y ante tanta sofisticación social, empezarán a sucederse curiosas situaciones.
Para que una ciudad llegue a la categoría de metrópoli depende de su crónica de sucesos. Exhibicionistas en cementerios, mirones en parques, ladrones de bancos, conductores temerarios, violadores, asesinos, todo esto ya lo había en Belgrado, pero faltaba el rey de los criminales para que la ciudad se pudiese catalogar de metrópoli, el estrangulador. Así se narra la historia del primer estrangulador de Belgrado, Pera Mitic, un vendedor de claveles de 48 años, dominado y maltratado por su madre. Del inspector que quiere darle caza y de Spiridon, un joven cantante de rock, que siente una especial conexión con el estrangulador, al cual dedica una canción que se convierte en éxito.
On a family visit, a young man and his girlfriend set out to discover why his eccentric uncle has been mysteriously confined to one room for years.
When an Indian mother finds out her son is the victim of a vicious bully, she delivers her own brand of vigilante justice.
A government agent ventures west to look into reports that Apaches are behind a recent wave of frontier attacks. Begins to suspect a set-up.
Somewhere in North Kolkata, OBHYESH is an unfurling of a 28 years old boy's life, through his struggle to fall asleep during a whole night. The boy seems to be terribly tired and tries hard to get some sleep but various thoughts perpetually come and go keeping him awake where rest is dreamlike and comes to him eventually at dawn.
Haunted by his tragic past, Basant befriends a married woman even as the migrant community of Salt Bridge frowns upon this relationship.
A young reporter girl nicknamed Cream Pie writes an article on money-making in small businesses. She meets a married shoemaker who falls for her and steals his wife's money for their love nest, but Cream Pie discovers it by accident and takes it to the newspapers' office. Shoemaker's wife interferes into this whole confusion and the whole fuss resolves at a hospital.
Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, GOOD FUNK follows three generations of citizens whose lives intersect through acts of kindness both big and small.
An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar
What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.
MERA YAAR" Film based On a play in Punjabi by Dr. S.N.Sewak. It deals with an important phase of the struggle for the independence of India from the colonial British rulers in the early years of the twentieth century. It depicts the role of Kartar Singh Sarabha, a young revolutionary, who had gone to the USA for higher studies, as seen through the eyes of another revolutionary of later years, Bhagat Singh, for whom he was a role model. Interestingly, Bhagat Singh kept the photograph of Kartar Singh Sarabha in his pocket because he always sought inspiration from him. Thus, Bhagat Singh is the narrator in the play which follows 'ode and episode' technique.
