Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s.
Cuarta y última temporada en la vida de León, este cortometraje es una sensible y fina animación de marionetas, que cierra la serie sobre una trepidante animación. Ese otoño, el villano narrador Boniface es víctima de un terrible hechizo que priva al reino de Balthasar de sus historias. El bribón robó el cuerno del unicornio. De repente, su cara de tramposo se convirtió en la cabeza de un lobo. Para contrarrestar el hechizo, Pougne, el erizo gruñón, liderará una expedición al vientre del mundo.
British superstar composer Andrew Lloyd Webber is feted in this 50th birthday benefit gala produced by Lloyd Webber's own theatrical company at London's historic Royal Albert Hall. The tribute includes highlights from Lloyd Webber's blockbuster stage hits, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. An eclectic performing cast filmed live during the event features Tina Arena, Michael Ball, Antonio Banderas, Boyzone, Sarah Brightman, Glenn Close, Julian Lloyd Webber, Marcus Lovett, Lottie Mayor, Dennis O'Neill, Donny Osmond, Elaine Paige, Ray Shell, Kiri Te Kanawa, and Bonnie Tyler
Versión de TV del clásico cuento de hadas, con un punto de Rodgers y Hammerstein.
As her 25th anniversary approaches, Norma Michaels realizes that her marriage to her dentist husband Malcolm has become boring. Seeking independence, Norma turns to her friend Fay while Malcolm receives advice from his swinging associate Greg.
Extremely rare, never repeated special starring Mary Tyler Moore, Ben Vereen, Doug Kershar, Arthur Fiedler, The Manhattan Transfer. “A special in which the vivacious Mary Tyler Moore acts out her wildest fantasies. Lot’s of big dance numbers reminds us that Mary started her career as a dancer. Moore sings and dances to rock, pop, and classical pieces in a show that's drawn from the Bible and fleshed out with allegory about man's creation, fall and rebirth. The show takes the form of surrealistic dream sequences that range from the fanciful to the solemn, and that have Mary playing the roles of angel, devil and woman." Manhattan Transfer does "Sympathy for the Devil," perhaps worth the price of admission right there.”
Mitzi Gaynor in a song and dance hour with an all-male, star-studded ensemble featuring her main guests Michael Landon (Little House on the Prairie) and Jack Albertson (Chico and the Man), plus 28 celebrities as her "Million Dollar Chorus." Songs performed include: "I Got the Music in Me," "The Most Beautiful Guy in the World," and "You Are the Sunshine of My Life."
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.
Arista's greatest recording artists of the last 25 years gather for this May 15th concert in honor of the record label's 25th anniversary. The highly significant place that Arista Records holds in rock history is highlighted here by the high quality of the music performances and the excitement of the celebrities who introduce each segment. Packed with celebrity guests and classic music, this is a once-in-a-lifetime concert.
One dark and stormy night, Rupert is called on by a mysterious stranger who gives him a ship in a bottle...with a tiny living man onboard! He frees the man, who turns out to be the evil warlock, Mordo, who kidnaps Amelia and takes her back in time to 1640. Rupert calls on Miss Switch for help in this new adventure.
When Rupert and his friend Amelia find the new substitute teacher doing odd things, they discover that she is actually a witch with a magical talking cat who sought them out in order to stop an evil coven of witches from destroying her.
Performing in the round and engaging audience members during his act, Carmichael addresses a wide range of subjects, including Trump’s victory, climate change, supporting the troops, animal rights, being a good boyfriend and his top four fears, as well as exploring larger themes like race, politics, love and family.
"On Broadway" featured Carol Channing and Pearl Bailey, both red hot after their respective runs in the smash hit "Hello, Dolly!" on Broadway. The special was filmed on the stage of the Wintergarden Theater in New York and originally aired on ABC in 1969. Together the theatrical legends playfully perform some of their most popular hits, including 'A Little Girl from Little Rock,' 'Little Green Apples,' 'If My Friends Could See Me Now,' and 'Won't You Come Home, Bill Bailey.' Next, they perform an assortment of familiar showtunes including hits from "Guys and Dolls," "The Music Man," "Hello, Dolly!," and "Fiddler on the Roof." "On Broadway" is an entertaining step back in time.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Cathy's preparations for an idyllic, romantic vacation with her boyfriend, Irving, go awry.
As Valentine's Day approaches, Cathy, ever the romantic, becomes passionately consumed with thoughts of hearts, flowers and candle-lit dinners.
