Comic Sans (2018)

Daphne, una mujer treintañera que trata de superar una ruptura sentimental vive a lo largo de un año una serie de acontecimientos que cambian para siempre su vida, descubriendo cosas sobre sí misma que desconocía por completo.

La historia de una pareja enamorada que lucha por mantener viva su relación contra el ineludible paso del tiempo, contada de manera no lineal a lo largo de diez años de sus vidas.

RIP: A Remix Manifiesto es un documental que profundiza en el copyright, la industria musical, la cultura y la tecnología, y que además está publicado bajo la licencia Creative Commons. Brett Gaylor, ciberactivista y cineasta, ha dedicado seis años a establecer relaciones entre el pasado, presente y futuro de la cultura, la creatividad, y el constante versus entre los movimientos copyright y copyleft.

Historia de una nochevieja en Londres que empezó como cualquier otra...

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

A young and successful copywriter Alan Despot, after trying in vain to renew a broken relationship with his girlfriend, goes to the island of Vis and finds himself torn between his eccentric father, another ex-girlfriend and her fiancé. New situations and circumstances help Alan to view his own life from a new perspective.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Mizuho takes over a restaurant in Nago, Okinawa, which was left to her by her grandmother. She single-handedly runs “Gajimaru Diner”, named after the large, deeply-rooted Gajimaru (banyan) tree in the area. Eventually, circumstances lead to her being brought together with an unknown traveler named Hayato, her ex-boyfriend Shota who returns after living in Tokyo for the past seven years, and a woman named Riko who shares something with both of them. As they work at the diner together, their relationships reveal themselves differently than what they had in mind.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

A documentary about the Swedish organisation Copyswede and the work they claim to be behind. If you bought a USB drive, hard drive, DVD, CD, computer, iPhone or another device that can be used in private copying, you are directly affected, whether you like it or not. This documentary will investigate and discuss the organisation Copyswede and see how it affect, improves or directly work against the copyright laws, electronics industry, wholesalers and retailers, not to forget the consumer and the creatives.

A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.

Star Wars fans, party clowns, scientists, a Rolling Stones tribute band, a private detective, teachers, artists, DJ's, magazine editors, top legal scholars, FBI agents, corporate litigators and many more tell an "extraordinary" tale about how ownership of ideas has come into conflict with free expression. "Willful Infringement", which premiered 2003 at the San Francisco Museum of Modern Art, has been acclaimed as an entertaining, surprising and sometime shocking report from the front lines of intellectual property. This movie has screened at the Andy Warhol Museum in Pittsburgh, the Seattle Art Museum, the Franklin Institute of Science in Philadelphia, at the 17th Leeds International Film Festival, and at numerous universities, law schools and cultural events.

Dr. Zhivago is one of the best-known love stories of the 20th century, but the setting of the book also made it famous. It is a tale of passion and fear, set against a backdrop of revolution and violence. The film is what most people remember, but the story of the writing of the book has more twists, intrigue and bravery than many a Hollywood blockbuster. In this documentary, Stephen Smith traces the revolutionary beginnings of this bestseller, to it becoming a pawn of the CIA at the height of the Cold War.

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.

Rahman (50), a widower who lives alone at home, decided to move out of his house. The reason he moved from his house was because he wanted to forget all his memories with his wife, Dewi (45), who died 5 years ago. When he cleaned up and took care of the things that needed to be packed, the memories of those things resurfaced in his mind. Until one day, he found a cassette tape entitled "My Love", Rahman played it and suddenly the tape contained a recording of his wife's voice. Rahman's attempts to escape the memory of his wife led him to the point where he found what he needed all along.

Los vecinos de una pequeña población rural de Pennsylvania viven atemorizados por culpa de unos extraños seres que habitan en los bosques circundantes. Saben perfectamente que para salvarse deben cumplir escrupulosamente ciertas reglas: evitar que vean el color rojo porque los atrae, mantenerse alejados del bosque, donde esperan agazapados la llegada de alguien, y obedecer la campana de alerta, que indica que se acercan a la aldea.

El ejército de los Estados Unidos arrasa un campamento del Zaire en el que un virus mortal semejante al ébola estaba acabando con la población. Lo que se pretendía con esta medida era mantener el virus en secreto y, al mismo tiempo, impedir que se propagase. Lo que no estaba previsto era que un pequeño mono, portador del peligroso virus, viajara en un barco desde el Zaire a EE.UU. El pánico se desata cuando se descubre que todos los que que han estado en contacto con el simio empiezan a mostrar los primeros síntomas de la enfermedad.

Andy Stitzer, de 40 años, ha hecho pocas cosas en su vida. Tiene un trabajo mediocre sellando facturas en una tienda de electrodomésticos, un lindo apartamento con una colección de cómics, buenos amigos... Pero hay una cosa que aun no ha conseguido, y que la mayoría a su edad sí. Andy nunca ha tenido relaciones sexuales.

Lady Sarah Ashley (Nicole Kidman), una aristócrata inglesa, se ha pasado la vida persiguiendo la perfección superficial, pero un matrimonio sin amor y sin hijos le ha privado de cualquier cosa importante que no sea su cuadra de caballos. Convencida de que su marido le es infiel, la empecinada Sarah viaja desde Londres hasta el remoto reducto tropical de Darwin (Australia) para enfrentarse a él. Su reacio guía a través del inmenso e inmisericorde terreno del territorio septentrional es Drover (Hugh Jackman), un ganadero tan tosco y basto como refinada es Sarah. Su profunda antipatía mutua se ve aminorada por la tragedia cuando Sarah, de repente, se halla cuidando a un encantador y joven huérfano llamado Nullah (Brandon Walters), un muchacho mestizo a la deriva en una sociedad segregada que le trata como un paria.