Manolescu's Memoirs (1920)

En 1988, la proyección de una película resultó en la muerte de cincuenta y seis personas cuando el cine de Budapest donde tenía lugar la premiere prendió en llamas. Desde entonces, es un título maldito, marcado a fuego por la tragedia. Ahora, se ha encontrado un nuevo negativo y se está restaurando una nueva copia: la película más mortal de la historia está lista para el reestreno.

En esta versión de la leyenda, el golem, una estatua de arcilla que cobró vida por el rabino Loew en la Praga del siglo XVI para salvar a los judíos de la brutal persecución de los gobernantes de la ciudad, se encuentra entre los escombros de una antigua sinagoga en el siglo XX. siglo. Traído a la vida por un anticuario, el golem se utiliza como sirviente de baja categoría. Finalmente, se enamora de la esposa del traficante y se desboca cuando su amor por ella no resulta correspondido.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)

After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.

A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!

A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.

John Douglas, a down-on-his-luck engineer, takes his sweetheart, Sara Deeping, to a play starring Carla King, and he falls in love with the actress.

When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, Who decided to leave the valley and head straight for Tokyo.

While working as a dishwasher in a fashionable New York hotel, Elsie MacFarland often sneaks upstairs to enviously peek at the people dancing to jazz music. Seeing the attractive Elsie dressed in a boy's uniform, wealthy Lemuel Stallings wagers a friend that he can get Elsie onto the dance floor....

The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments."

Following the "no good deed goes unpunished" idiom, when after rescuing a group of settlers, hero Don Miguel Arguella is double-crossed by the group leader who files a claim on his land and makes a move towards his girlfriend. Sadly, this is a lost film.

Stan and Ollie are salesmen attempting to sell a washing machine; they fail constantly after several near misses. One would-be sale has them carrying the machine up a large flight of steps, only to find out that a young lady wants them to post a letter for her. The boys later get into an argument knocking off each other's hats, which eventually involves scores of others. A police van eventually carts all those involved away except Stan and Ollie, who afterwards try to find their own headgear amongst the hundreds of others lying on the street.

Two men, one of them a villainous hypnotist, contend for the same woman, unaware that she suffers from dual personality disorder.

In a remote german valley, a lord falls in love with a gypsy thief. This film is considered lost.

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

The City is a lost 1926 silent film produced and released by the Fox Film Corporation. It was directed by Roy William Neill and is based on Clyde Fitch's 1909 Broadway play. A previous film on Fitch's play appeared in 1916. This version has been updated to contemporary 1926

Tres bandidos se encuentran a un bebé y deben decidir si salvarle o huir de la justicia.