The Darkening Veil (2018)

Documental que narra el meteórico ascenso de los videojuegos desde el restringido nicho friki hasta convertirse en una industria multimillonaria. El documental se nutre de entrevistas con aquellos que apadrinaron los videojuegos, ilustres innovadores abocados al diseño de juegos, y los gurús geek que labran el camino de la industria hacia adelante. “Video Games: The Movie” es un homenaje a los videojuegos desde el Atari hasta la Xbox, incluyendo una mirada a aquello que está por venir.

Realizado entre los años 1975 y 1982, "Koyaanisqatsi" -primera parte de lo que sería luego una trilogía formada por Koyaanisqatsi (1982), Powaqqatsi (1988) y Naqoyqatsi (2002)- es un singular documental que refleja la colisión entre dos mundos obligados a convivir: por un lado la vida de los hombres en la sociedad moderna, la vida urbana y occidental, llena de tecnología, ciencia y consumismo. Por otro la naturaleza y el medio ambiente del planeta Tierra. Sin voz humana, tan sólo con el poder de las imágenes y la banda sonora minimalista de Philip Glass, Godfrey Reggio presentó este documental ante 5000 personas el 4 de Octubre de 1982 en el Radio City Hall de Nueva York, convirtiéndose al instante en un documental de culto.

Video Games Live es un concierto inmersivo con música de los mejores videojuegos de todos los tiempos.

Documental sobre el auge y caída de la empresa de videojuegos Atari a través del misterio de los cartuchos del videojuego 'E.T.'(considerado por muchos como el peor de la historia), enterrados 30 años atrás en el desierto de Nuevo México tras su estrepitoso fracaso.

A woman returning home after having a sour day decides to sleep.

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

Conmovedora visión de Niza, la atmósfera y el tipo de vida de la ciudad. La película se centra principalmente en el contraste entre los ricos ociosos que toman el sol y disfrutan de los lujos de hoteles y casinos, y los barrios pobres de Niza.

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Profesor en una escuela de idiomas, cuando el horario laboral ha terminado, Carlos se pasea por la zona de cruising de Montjuïc. Allí encontrará a Toni, uno de sus estudiantes, un chico que parece distinto a todos los demás y por el que Carlos comenzará a sentir atracción, dando pie a una cinta con una envolvente banda sonora de Don the Tiger.

Estructurada en tres partes (Creación, Paraíso y La era dorada) y rodada en el desierto del Sahara, esta es sin duda la película menos convencional del director alemán. Sin argumento ni guión determinado, Herzog nos regala una serie de imágenes, palabras y música que funcionan conjuntamente dando un resultado singular. La sensación resultante viene reforzada por una banda sonora con temas de Leonard Cohen, Mozart o la Third Ear Band

This short film made by László Moholy-Nagy is based on the shadow patterns created by his Light-Space Modulator, an early kinetic sculpture consisting of a variety of curved objects in a carefully choreographed cycle of movements. Created in 1930, the film was originally planned as the sixth and final part of a much longer work depicting the new space-time.

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities

This hand-painted work is easily the most minutely detailed ever given to me to do, for it traces (as best I'm able) the hypnagogic after-effect of psychological cathexis as designed by Freud in his first (and unfinished) book on the subject - "Toward a Scientific Psychology." (SB)

La Virgen María da a luz a un Jesús ya adulto que desde el primer momento se encuentra a disgusto en la Tierra y clama al cielo tratando de que su Padre atienda sus quejas. A lomos de un burro, Jesús emprende sin ninguna convicción su camino para, con la ayuda de un megáfono, tratar de difundir su mensaje en un mundo permanentemente hostil que no quiere escucharle.

In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.

Inspirado en el documental soviético "Kino-Nedelia" (1918) de Dziga Vertov, Ruttmann realizó en 1927, contando con los mejores fotógrafos alemanes de la época, un documental basado en la vida, durante un día, de la ciudad de Berlín.