Dağlarda Döyüş (1967)

Yussuf and Aliosha are two shipwrecked sailors on an island in the Caspian Sea. They start working as sailor and mechanic for the fishing boats of the "Lights of the Communism" kolkhoz. Here the two friends will fall in love with the beautiful Masha.

The film takes place in Baku in 1918-19 and then several years later. The film is based on the opera of the same name by Fikret Amirov. Sevil became the first film opera in the history of Azerbaijani cinema.

The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

When his parents try to marry him to their neighbors' daughter, Ahmad runs away from home and his family try to find him.

Nabat y su marido Iskender, un ex-trabajador forestal viejo y enfermo, viven en una pequeña casa aislada lejos de la aldea. Una guerra se ha estado librando desde hace tiempo y su hijo fue asesinado en el frente. Su único medio de supervivencia es la venta de la leche de su única vaca que Nabat lleva a la aldea cada par de días. A medida que la sombra de la guerra se acerca el pueblo es abandonado poco a poco por sus habitantes. Tras la muerte de Iskender, Nabat tiene que sobrevivir en un pueblo ahora abandonado bajo la mirada de una loba.

The struggle of the people against the shakh (king) who seized all of land and water resources.

The film is about village boy who became an enlisment officer and came back to Garabagh and fell in love with bey's daughter.

Religiously themed early Soviet propaganda film in Azerbaijan against Islam. Unlike earlier propaganda films in the region, this was actually made by an (nearly) all Azeri cast and crew and directed by an Azeri filmmaker that would go on to be famous amongst his own people, despite his early collusion with the new ruling government. At the center of the film is a greed Molla (holy man in Azeri Islam) who has been cheating one of the local peasants for years out of all types of goods and services, and then delighting over his success in an very un-religious, specifically un-Islamic, way. Once the Revolution takes place and the Bolsheviks arrive, the peasant is empowered and realizes the deception on the part of the Molla and takes him to the newly set up "People's Court," where is finds justice and the Molla is punished.

Set in Baku at the turn of the 20th century, a young successful businessman Asgar wishes to marry. He wants his bride to be the choice of his heart, however, Azerbaijani tradition restricted him from communicating with the lady as a lover before marriage. So Asgar decides to disguise himself as a mere cloth peddler and the young woman Gulchohra falls in love with him.

A story about ten years old Sona - a very talented young singer whose parents are not so happy about her singing.

Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.

The film is about dramatic revolutionary events happened in 1918 in Baku.

The film is about special sea expedition which put out to sea to deliver oil to Russia at the cost of their lifes.

The film is about the boy who got under bad when influence after losting his family he faced with tragic events.

Historical film about the dramatic event in the southern regions of Azerbaijan during the 1917 Soviet Revolution.

After the play of same name of Jafar Jabbarli. This melodrama is about the woman who had unhappy homelife and tried to free herself from shariat rules.

A new teacher arrives in a remote mountain village, where the old traditions still hold sway.