Ramayana: The Epic (2010)

La moderna metrópoli mamífera de Zootrópolis es una ciudad absolutamente única. Está compuesta de barrios con diferentes hábitats como la lujosa Plaza Sahara, el Distrito Selva Tropical y el gélido Distrito Tundra. Es un crisol donde los animales de cada entorno conviven, un lugar donde no importa lo que seas. De hecho puedes ser cualquier cosa, desde un elefante enorme hasta la musaraña más diminuta. Pero cuando llega la optimista agente Judy Hopps, descubre que ser la primera conejita de un cuerpo policial compuesto de animales duros y enormes no es nada fácil. Pero está decidida a demostrar su valía y se mete de cabeza en un caso, a pesar de que eso significa trabajar con Nick Wilde, un zorro parlanchín y estafador, para resolver el misterio.

India, siglo XIX. En las afueras de Tumbbad vive Vinayak, hijo bastardo del jefe del pueblo, obsesionado con un tesoro ancestral. Sospecha que el secreto del tesoro lo conoce su bisabuela, una bruja maldita que lleva siglos dormida. Cuando se acerca a ella se topa con el guardián del tesoro, un malvado dios caído. Lo que empieza con unas pocas monedas de oro se convierte en un ansia que dura décadas. La avaricia de Vinayak sigue creciendo hasta que desata el mayor secreto de todos, que es incluso más valioso que el propio tesoro.

En un remoto valle de Islandia, dos hermanos que no se hablan desde hace más de cuarenta años deberán unir fuerzas para salvar su bien más preciado: su rebaño de carneros.

After inspector Dev stirs the reign of Veeraiya, a tribal outlaw, the latter responds by kidnapping his wife, Ragini. While she tries to escape from him, Dev fights many resistances to find her.

The film is a retelling of the story of Lord Rama, from his birth until his battle with Ravan at Sri Lanka.

After a rocky start, a friendship develops between a happy-go-lucky youth and a girl from the city.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.

Nikhil Siddharth and Swathi Reddy are back once again onscreen with Karthikeya. The mystery of the Subramanian Swamy temple which has remained closed for years is the crux of the movie. Local people in the village are curious why the temple has been locked up for years? The lead protagonists take the initiative to solve the mystery.

This special-effects laden film is based upon an episode from the Ramayana. Indrajit, son of Ravan, initiates an attack on Rama (Mane) and Lakshmana (Kulkarni) in which they are captured by Mahi (Kelkar). They escape with the assistance of Rama's disciple, the monkey-god Hanuman (Manajirao). The narrative foregrounds Chandrasena (Tarkhad), wife of Mahi, who reveres Rama but disapproves of the bacchanalian orgies and the celebration of liquor that is the norm in his kingdom. She helps resolve the stalemate of the battle when Mahi (who can duplicate himself and his dead soldiers) proves invincible, by revealing the secret formula that will kill her husband. In addition to the usual flying figures and magic arrows mandatory for a Ramayana mythological, there is an effective scene of a gigantic Hanuman picking up a miniaturized human figure.

Balarama promises Subhadra to get his daughter married to her son. However, when he loses his kingdom to the Kauravas, Balarama has no choice but to break his promise.

Mahabali was a beloved king and very kind to his subjects in the state of Kerala. The time under his rule was considered one of great prosperity and happiness. It is in fact this success as a king that led the gods to be wary of him and bring his demise at the hands of Vamana.

Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. (Wikipedia)

Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.

Based on the Hindu mythological story of Prahlada and his devotion to the god Maha Vishnu.

Born during an age when the demon Ravana terrorized the world, Rama is the virtuous, wise, and powerful prince of Ayohya. As a young man, he is able to accomplish what no other man has ever done: he lifts and strings the bow of Siva, and by so doing her earns the right to marry the beautiful Sita.

An epic musical drama depicting the preface to Seetha and Rama's wedding.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

Un documental experimental que retrata la vida de Jiva en el seno de una familia hindú que profesa la religión Hare Krishna. Jiva vive en una casa típica de los suburbios de Buenos Aires junto a su esposa y sus ocho hijos donde una profunda religiosidad se filtra permanentemente en lo cotidiano. A través de una pantalla partida, a lo largo de la película, se reflejan los distintos aspectos de esta forma de vida.

Plot is Unknown.