Cut-Out Girls (2018)
Género :
Tiempo de ejecución : 1H 25M
Director : Nicola Hanekom
Sinopsis
Kevin and Mike are young men trying to get ahead in the competitive world of tennis. When one of them discovers a dangerous key that can unlock their potential, things get out of hand. Their worlds become intertwined and spiral out of control. A small series of seemingly insignificant moments weave together with devastating consequences.
Stevie, un chico de 13 años que vive en el Los Ángeles de los años 90, pasa el verano lidiando con los problemas de su vida doméstica y divirtiéndose con su nuevo grupo de amigos, que ha conocido en una tienda de skate.
Después de dejar atrás su vida en Manhattan y mudarse a un pueblo, una joven descubre que tanto su marido como su nuevo hogar ocultan siniestros secretos.
Salem ya no es el de los juicios por brujería. De hecho, el Salem de los smartphones es mucho peor. El hackeo y la publicación de buena parte de la información íntima de sus ciudadanos hará que la gente de Salem pierda los papeles, desencadenando una ola de violencia que termina arrastrando a cuatro chicas, acusadas de estar detrás de este hurto cibernético y perseguidas como si fuesen brujas de nuestros tiempos.
La conversación dura toma un giro suave cuando Nate, interpretado por la comediante Natalie Palamides, explora el humor, la angustia, la sexualidad y el consentimiento, con una audiencia en vivo.
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The story of Orel before Moral Orel
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Kevin and Mike are young men trying to get ahead in the competitive world of tennis. When one of them discovers a dangerous key that can unlock their potential, things get out of hand. Their worlds become intertwined and spiral out of control. A small series of seemingly insignificant moments weave together with devastating consequences.
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.
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We don’t like to talk about it, but it can be challenging to be a man in the world today, and even more challenging to raise boys to be good men. Maybe it’s time for a conversation.
Fraser, 17, is a shy and introverted only child, but he speaks volumes on the court through his passion for basketball. Fraser has a chance to prove himself when the coach catches him practicing after school hours.
A young man becomes obsessed with his new neighbour.