Malik (2018)
Género : Drama
Tiempo de ejecución : 15M
Director : Nathan Carli
Escritor : Nathan Carli
Sinopsis
Tonight, Malik has decided to flee his ghetto. He had all planned. Except that Walid, his big brother, with all his « gang », is looking for him everywhere. The flee turn into a run away.
Like the beached whales he studies, the introverted marine biologist Stefaan flees the ocean. But floods, leaking taps and endless rain keep seeping into his life, and he can't keep the water out.
Akiko Takakura is one of the last survivors of the Hiroshima bomb. During Obon, she receives the spirits of her parents and is haunted by memories. Finally Akiko experiences paternal love in the middle of the ruins of Hiroshima.
Three best friends, Jimmy, Samy and Sofi, have the idea of a lifetime: transforming a chocolate vending machine into a pot-vending machine. Also, there’s a dog in the film.
Abdel has been working in a café in France for several years. His wife Zaina stayed on the other side of the Mediterranean. This evening, Abdel's young neighbors are celebrating: new software allowing them to call the homeland has become available. Between excitement and impatience, Abdel gets ready for his first Skype call.
A poetic journey through the history of desire and sexuality, where long-ignored and repressed female pleasure occupies a prominent place.
Emma is about to be the new ballerina. But something upsets her. A secret. A secret liable to undermine what she has spent a whole life on.
Coincidiendo con el 50 aniversario de la llegada a las pantallas de 2001: una odisea del espacio, TCM estrena en exclusiva 2001 destellos en la oscuridad, un film de producción propia de 20 minutos que recrea la entrevista con Stanley Kubrick que la revista Playboy publicó en su número de septiembre de 1968 y que se ha convertido en imprescindible a la hora de acercarse a las reflexiones y teorías que llevaron al director a rodar una de sus obras maestras.
Alex, a young woman bored with modern life, is lured by Bacchus into a colorful and mysterious world to explore her deepest desires.
Steven and Abdel, two young Belgians, leave for Syria. One as a journalist, the other as a fighter. Yet they have more in common than you might think.
Three perceptions of only one truth - hers, his and ours. This film has a trigger warning associated with it.
Actor and comedian Steve Oram from the 2012 film Sightseers, plays a lonely man in a caravan park who has found his soulmate, his neighbour Tanya. He drifts off into a fantasy about their future together. Everything would be perfect… if it wasn't for Dave. (Leeds International Film Festival 2018)
In the east of the Democratic Republic of the Congo, rape has been used as a weapon of war for more than 15 years. Martha writes a teenage girl’s guide to surviving sex slavery.
The story of Walter Lantz and Woody Woodpecker from the early days at Universal Pictures to the creation of brand new cartoons in 2018. Featuring contributions from Woody experts and of course, Woody himself.
Anikó Kárpáti is 61, and this is her last day in Budapest. She hopes for a better life with her daughter's family abroad, but first she must close everything that still connects her to Hungary. Anikó begins a mad dash through the city, but at the end of this frantic day she must face what is ahead of her – and the things she will leave behind.
Kaniama Show is a satire of national TV in an African country, spreading its propaganda of soft power between complaisant interviews and musical interludes.
After a heist that goes wrong, a frail robot who was the driver of a robot mafia ends up being in possession of some loot he shouldn’t have, a human heart. Tempted by the opportunity of being like his bosses, he grafts the heart to himself and discovers the feeling of being alive. But those brief instants of life have a price.
Un teléfono móvil dentro de una bolsa hermética suena en medio del mar.
La avería de un ascensor afecta de manera trascendental las vidas de los habitantes de un edificio de apartamentos.
Djuna, a writer, lives with Léo in a tiny one-room apartment, which has got even smaller with the arrival of their baby. Overwhelmed by the lack of privacy and a feeling of suffocation, Djuna can no longer manage to write. One day, she decides to commandeer the toilet to have a room of her own.