Brigitte Kaandorp: Kouwe Drukte (1990)

Even after Swallow, Slave Or Not Addicted now the third show namely in Holland Mine House Jörgen Raymann. Jörgen has past 2 years this show screened in all theaters throughout the Netherlands. Important detail: All performance were completely sold out! The reactions after the shows were called very good, especially the press was full of praise for the show, which lasts about 2 hours. Jörgen grows after every show he presents. After some years the boards have been able Raymann now like a house on stage. And that's exactly what this show is about. A brilliant show full of humor but also very sharp, serious and politically charged topics. If you have not seen the show in the theater, this is your chance to watch it yet.

Stand-up del cómico Tom Papa.

Sebastian Maniscalco's comedy is impeccably paced and chock-full of seething observations on daily human behavior. He voices his disgust of everything from shopping at discount department stores to men in flip-flops. These hilarious observations have made him one of the most sought-after comedians today. Filmed at the Paramount Theatre in St. Louis, MO, Sebastian Maniscalco Live will leave you screaming for more of Sebastian's unique brand of humor.

Stage registration of the first comedy special (1996-1997) by the Dutch comedy troupe De Vliegende Panters (The Flying Panthers). The show consists of songs and skits on a variety of subjects, such as a Sesame Street parody, the Bee Gees, Anne Frank and the butcher Korrel.

Hannibal is a Chicago native, currently living in New York City where he regularly performs and lives alone with no pets. Animal Furnace was recorded in December of 2011. Hannibal's credits include writing for 30 Rock, SNL and performing in several basements of bars in NYC and Chicago. His jokes cover topics like personal stories, current events, the streets and even food.

"What's Wrong with People?" asks Sebastian Maniscalco, as he hilariously tries to bridge the Italian-American Old World he grew up in with the contemporary frenetic world we all live in today.

Met o.a. de balk, de onderwaterscene en de zeilramp Bandkaai is het zesde theaterprogramma van de Rotterdamse theatermakers Martin van Waardenberg en Wilfried de Jong. De typische Waardenberg en de Jong aanpak isl in Bandkaai zeker weer te zien. Performance afgewisseld met miniatuurtjes van toneelspel. Grootse en wezenloze decorstukken. Schoonheid maar ook afbraak. Harde klanken naast stille beelden. Fysieke uitputting en tevens serene rust. Chaos en orde tegelijk. Waardenberg en de Jong zijn niet te vangen.

Gerijpt duo vertoont sensationeel herenleed

Waardenberg en de Jong blijven eigenwijs zoeken naar verrassende acts. Het tweetal heeft een hekel aan voorspelbaarheid, het accepteert geen grenzen, ook niet die van het opgeplakte etiket. De visuele en fysieke aanpak vormt wederom een hoofdbestanddeel van dit theaterprogramma. Waardenberg en de Jong zijn gebleven, verder is alles nieuw. Je kunt alles verwachten, ze leren het nooit.

In hun derde programma 'Jool Hul', dat vernoemd is naar een vrijersplek langs de snelweg tussen Amersfoort en Apeldoorn, slaan ze op elkaar in met reigers en in de meesterlijke wijn-en-spuug-scène rochelt Van Waardenberg in de wijd opengesperde mond van De Jong.

In their second show, Waardenberg & de Jong attack each other with yoghurt, paint, water and wood glue. They end as sea lions, diving in a pool from a water slide.