Water Life (2011)
Género : Documental
Tiempo de ejecución : 2H 5M
Sinopsis
Take an unprecedented visual journey into Planet Water. Water Life captures extraordinary locations and intimate animal behavior never before seen on film. Two years in the making, this groundbreaking series takes viewers on an unprecedented visual journey to aquatic ecosystems on five continents to reveal how water shapes and sculpts the landscape and provides food and refuge for an astonishing array of species. This epic series tells water's story as never before to engage viewers in vital discussions about how water must be conserved and preserved. Learn the impact of climate change, pollution and other factors that are changing the environment and affecting each and every one of us.
A group of people setting out to find a previously assumed land and upon reaching it, not knowing how to deal with the customs of the place, have to deal with all the consequences.
The film was made on the basis of the literary version of events in the life of the famous Russian ethnographer, anthropologist, biologist and traveler who studied the indigenous population of South-East Asia, Australia and Oceania.
Documental sobre las aventuras para coronar el Everest desde el punto de vista de los sherpas; desde la primera ascensión con éxito en 1953, por el neozelandés Edmund Hillary y el Sherpa Tenzing Norgay, hasta la tragedia ocurrida en el Everest en abril del 2014, donde un desprendimiento mató a 16 sherpas.
This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.
El joven biólogo Víctor Sluzhkin por falta de recursos va a trabajar como maestro de geografía en la escuela regular de Perm. Él lucha contra estudiandes, tambien choca con el director de estudios, conduce a los alumnos de décimo curso a explorar el río, y finalmente, después de discrepancias se lidera una gran amistad. Víctor es algien normal. Bebe vino con sus amigos, trata de llevarse bien con la mujer y lleva al jardín de infancia su pequeña hija. Él simplemente vive…
Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
Travellers, nomads and salesmen make their way along a dam next to the Nile.
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)
The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
A woman from the Ashanti tribe bathes her child in a shallow bowl.
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.
